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Exclusive: Bill Evans Interview
A few weeks ago I received an email from two ardent Bill Evans fans. James Farber and Larry Goldbert wrote to say they had interviewed Evans back in 1976 for a radio station in Madison, Wis., and asked if I wanted to hear it. I said I'd be happy to and, if I loved it and ...
Rudresh Mahanthappa: Dancing on the Edges of Time
by Victor L. Schermer
Saxophonist and composer Rudresh Mahanthappa is constantly making waves in the music world, expanding the technique of his instrument and integrating jazz and world music, especially that of his parents' native land, India. Brilliantly innovative, he often surprises with his improvisations and the way he transforms the music into something new and stimulating. India's great poet, ...
Eddie Gomez: The Call of the Wild
by Robin Arends
How to survive in jazz music? One of the people who can answer this question is bassist Eddie Gomez. With his 11 year cooperation he was the longest serving sideman of pianist Bill Evans. After interviewing Evans-bassist Chuck Israels in Holland, I called Gomez a few weeks later in his hometown. Twice there was a connection ...
Warren Haynes: The Timeline of Sco-Mule and Beyond
by Doug Collette
By all accounts, Warren Haynes is known to be an upbeat forward-thinking individual. In this recent conversation however, he is borderline ebullient. And why not? Last October he aided immeasurably in bringing the forty-five year career of the Allman Brothers Band to a spectacular close. By the time of that historic appearance at New York's Beacon ...
Golson and Trane Dissed in Philly (circa 1944)
by Bob Jacobson
This article was originally published at All About Jazz in 1999. John Coltrane and Benny Golson stand among the major figures of jazz in the second half of the twentieth century, Coltrane primarily as a player and Golson primarily as a composer. But in 1944 Philadelphia they were teenagers just getting their feet wet, ...
Working the Rhythm Section: Tom Lawton, Lee Smith, and Dan Monaghan
by Victor L. Schermer
As Duke Ellington's standard goes, It Don't Mean a Thing if it Ain't Got that Swing." The rhythm section (piano, bass, drums, with guitar and percussion sometimes added) is the core of the typical jazz ensemble. They set the frame for the leader, singer, and soloists and contribute their own solos as well. Even though they ...
Interview: Jamie Cullum
I love writing the Track Record" column for Wall Street Journal/Europe, which is based in London. The point of the column is to interview artists to see what obscure albums most influenced them. There are always surprises, and I'm constantly being turned on to music that escaped my radar. Case in point is my interview with ...
Will Kennedy: From East Bay Grease to the Yellowjacket Sound
by Ben Scholz
Among contemporary fusion musicians, drummer Will Kennedy stands out as a legend in both the creative and commercial scenes. Growing up in the Bay Area, Kennedy found music at the tender age of four. By his twenties, he was working in the Los Angeles studio scene as the go-to guy for talk show TV orchestras and ...
A dialogo con Alessandro Lanzoni
by Neri Pollastri
Classe 1992, Alessandro Lanzoni ha già alle spalle un percorso artistico di tutto rispetto, collaborazioni con artisti di primo piano (giovanissimo, aveva già registrato con Lee Konitz) e riconoscimenti importanti (lo scorso anno ha vinto il referendum di Musica Jazz come miglior nuovo talento italiano). Dopo averlo seguito in varie occasioni fin da quando ...
Ticketfly VP Kristina Wallander On What Google Search Changes Mean For Live Concerts
Yesterday, Google announced changes that could help artist and promoters at every level to sell more concert tickets. From now on, a Google Search for an artist or venue will highlight show and ticketing info drawn directly from Ticketfly, Ticketmaster, AXS and other major ticketers. To find out how this might effect the concert business and ticket sales, ...


