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11

Article: Album Review

James Brandon Lewis Quartet: Code of Being

Read "Code of Being" reviewed by Troy Dostert


With each new release, tenor saxophone phenom James Brandon Lewis seems to raise his game even higher. He continues to craft ever more compelling compositions, with both lyrical intensity and conceptual rigor, and his sound on the tenor is just as noteworthy, mixing brawn with sensitivity in equal measure. It doesn't hurt that he has colleagues ...

7

Article: Album Review

Stephan Crump: Wandersphere

Read "Wandersphere" reviewed by Mark Corroto


Let's play a game. Call it “Is it improvised or composed?" Today's contestants are the Borderlands Trio, comprised of bassist Stephan Crump, pianist Kris Davis, and drummer Eric McPherson. Their release Wandersphere, recorded in December, 2020, consists of four tracks on two CDs. Four lengthy tracks, the shortest nearly twenty minutes and the longest at forty-one ...

6

Article: Album Review

Borderlands Trio: Stephan Crump / Kris Davis / Eric McPherson: Wandersphere

Read "Wandersphere" reviewed by Dan McClenaghan


It begins so quietly, whispering out of silence like a ghost. The creaking door of Stephan Crump's arco bass, the hiss of Eric McPherson's brushes, the parsimonious delicacy of Kris Davis' piano notes. This is what opens Disc one of this two CD outing by the Borderlands Trio. The tune's following half hour's worth of improvisational ...

3

Article: Album Review

Angelika Niescier / Alexander Hawkins: Soul In Plain Sight

Read "Soul In Plain Sight" reviewed by Mark Corroto


Some pairings were just meant to be. Exhibit one, Soul In Plain Sight by the duo of Angelika Niescier and Alexander Hawkins. Niescier, the Polish-born Germany-based saxophonist, met the British pianist Hawkins at the Berlin Jazzfest. Their mutual admiration led to a brief tour and this recording. The music succeeds here because of the musicians' balanced ...

13

Article: Multiple Reviews

Christoph Irniger's Open City: Retracing The Tenor's Evolution On Intakt Records

Read "Christoph Irniger's Open City: Retracing The Tenor's Evolution On Intakt Records" reviewed by Friedrich Kunzmann


A sound poet of sorts, Swiss tenor saxophonist Christoph Irniger has gained quite a reputation for his lyrical tone and creative penmanship, more often than not responsible for the majority of the memorable repertoire he records and performs. The poetic nature of his music is owed not only to the artists that have influenced him over ...

1

Article: Album Review

Mark Feldman: Sounding Point

Read "Sounding Point" reviewed by Alberto Bazzurro


Beata solitudine! C'è chi ci si crogiola dentro, come a rimirarsi in un eterno specchio, chi ci si perde (che è spesso un po' la stessa cosa), chi si mette alla prova più che in qualunque altra situazione o contesto. È fortunatamente questa la dimensione scelta da Mark Feldman in questo bellissimo album, inciso a Brooklyn ...

4

Article: Album Review

Silke Everhard Trio: Being The Up And Down

Read "Being The Up And Down" reviewed by Mark Corroto


Sometimes one must pass through the flames to get free. That thought has shadowed the career of Silke Eberhard. The saxophonist has been consumed with the firebrands Eric Dolphy, Charles Mingus, and Ornette Coleman for years now. She has recorded Dolphy's complete oeuvre with her band Potsa Lotsa, both in small and large configurations. Covered Mingus ...

Article: Album Review

Fred Frith, Ikue Mori: A Mountain Doesn't Know It's Tall

Read "A Mountain Doesn't Know It's Tall" reviewed by Alberto Bazzurro


Elettronica a gogo in questo album inciso oltre sei anni fa, nel gennaio 2015, a Esslingen, sud-ovest tedesco, tra due degli improvvisatori più radicali (ma per altri versi anche sufficientemente versatili, visti i molteplici terreni toccati nelle loro ormai lunghe carriere) in circolazione, Fred Frith, classe 1949, da Heathfield, East Sussex, e Ikue Mori, classe 1953, ...

11

Article: Album Review

Broken Shadows: Broken Shadows with Tim Berne, Chris Speed, Reid Anderson, Dave King

Read "Broken Shadows with Tim Berne, Chris Speed, Reid Anderson, Dave King" reviewed by Dan McClenaghan


The context for Broken Shadows is--can you guess--the Ornette Coleman album of the same name, recorded in 1971 and released on Columbia Records in 1982. That, along with three tunes from Coleman's Science Fiction (Columbia, 1971), and more from the free jazz pioneer's Atlantic and Blue Note Records days. And while we're at it, throw in ...

11

Article: Album Review

Irene Schweizer / Hamid Drake: Celebration

Read "Celebration" reviewed by Troy Dostert


If John Coltrane was the dominant figure behind the rise of Impulse Records in the 1960s, and Wayne Shorter played a similar role for Blue Note in the same decade, one could argue that pianist Irène Schweizer has placed her stamp upon Intakt Records. Certainly the Swiss avant-garde label has embraced that relationship, as aside from ...


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