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Results for "Ingrid Laubrock"
Kris Davis: Diatom Ribbons
by Troy Dostert
To call pianist Kris Davis stylistically omnivorous would seem to be an understatement. While she started her career solidly in the avant-garde circles that brought her into projects with stalwarts of the genre like Ingrid Laubrock, Tyshawn Sorey, Tom Rainey and Tony Malaby, that hasn't stopped her from forging connections with other musicians not typically included ...
Ken Vandermark with Kris Davis/Hamid Drake/Paul Lytton/Ikue Mori/William Parker: Momentum 4: Consequent Duos 2015>2019 (Box Set)
by Karl Ackermann
When reed player and composer Ken Vandermark launched his recording career in 1995, he did so with the deceptively titled Standards (Quinnah Records). Free improvisations with titles like “Rage for Speaking" and “A Sick Man's Dreams" indicated a different view of the agreed-upon definition. And so, it has been and has evolved, over nearly twenty-five years ...
Welcome to the Deep End
by Patrick Burnette
The boys contemplate the profundity of the abyss--or, at least, of some fairly serious third-streamy jazz releases, on this very “whoa, man" episode. A three-disc extravaganza from a feted musician on Blue Note, a challenging big-group project on the always challenging Intakt label, and a ballet score by jazz's favorite theoretician from the sixties make up ...
Taylor Ho Bynum 9-tette: The Ambiguity Manifesto
by Karl Ackermann
Taylor Ho Bynum's The Ambiguity Manifesto, with its oxymoronic title, is the third album in what the cornetist-composer calls an “accidental trilogy." Following his Firehouse 12 Records releases Navigation (Possible Abstracts XII & XIII) (2013) and Enter the Plus Tet (2016), Bynum recognized a form--however unconventional--both in the composition and performing of these large ensemble works. ...
Tom Rainey: Combobulated
by John Sharpe
Recorded live at Firehouse 12 in New Haven, Connecticut, Combobulated constitutes the fourth outing for what might be now seen as a free jazz supergroup, even if it wasn't when they cut Pool School (Clean Feed, 2009). The stars of saxophonist Ingrid Laubrock and guitarist Mary Halvorson have continued to rise in the intervening years, while ...
New Music from William Parker and Whit Dickey
by Bob Osborne
Great music from the Aum Fidelity label with new albums from William Parker and Whit Dickey together with a selection of other recent releases and some classic “Bird." Playlist William Parker in Order to Survive “Eternal Is the Voice of Love II" from Live/Shapeshifter (Aum Fidelity) 00:00 Whit Dickey Tao Quartets “Peace Planet" from ...
Jazz em Agosto 2019
by Stefano Merighi
Jazz em agosto Lisbona 1-4.8.2019 Resistenza e narrazioni. Questo in sintesi il filo conduttore dell'edizione 2019 di Jazz em Agosto, in corso di svolgimento come sempre presso la fondazione Gulbenkian a Lisbona. Un'edizione “militante," dunque, sebbene non così originale come in altre occasioni, vista la ripresa di ...
Jonathon Crompton: Intuit
by Troy Dostert
Although alto saxophonist Jonathon Crompton released a promising album, Faustian Pact, with sax-guitar-drums trio Kinsmen and Strangers, in 2018, he's still a relatively unsung presence in the jazz scene. However, with Intuit, his debut release as a leader, that should change. With consistently provocative compositions that combine rhythmic subtlety, harmonic complexity and a sophisticated command of ...
Rob Mazurek: Desert Encrypts Vol. 1
by Karl Ackermann
It was twenty-five years ago, in 1994, that Rob Mazurek first emerged with Man Facing East (Hep Jazz), a quartet recording solidly positioned in the post/hard bop style. Even in the interpretations of standards, there were clues that the cornetist/composer was a restless soul. In the intervening years, Mazurek has rapidly charted his own dissident destiny ...
We Out Here: The Fast-Forward Evolution of British Jazz
by Chris May
After a lifetime in the shadow of its American parent, British jazz is finally coming of age. A community of young, London-based musicians is forging a style which, while anchored in the American tradition, reflects the modern Caribbean and African cultural heritages of the majority of its vanguard players. The music also addresses the race, class ...
