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Article: Album Review
Ilya Dynov: Bridges
by Richard J Salvucci
Is there a distinctive NewYork post-bop sound? If there is, does it owe its existence to some common ancestry? To the revolving cast of players who have populated a number of clubs and bands on a rotating basis since the 1990s? To licks, formulaic harmonies, or just a kind of jazz version of the median voter ...