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Peter Brotzmann/Joe McPhee/Kent Kessler/Michael Zerang: Tales Out Of Time
by Mark Corroto
It is rare, in this new century, for us to look back at the significant recordings of living artists. The powers that be seem to always be pushing out new product to support a tour and get media attention. Then of course, once the artist has passed on, let the reissue series begin. Thank God for ...
The Rempis Percussion Quartet: Cash And Carry
by John Sharpe
Ornette Coleman was one of the first to use two drummers in a smaller ensemble for his seminal double quartet Free Jazz (Atlantic, 1961). In doing so they established the template for dual interaction, as Ed Blackwell majored on drum patterns while Billy Higgins emphasized the cymbals. While the format has become much more widespread as ...
Myra Melford: Snowy Egret
by Hrayr Attarian
Restlessly innovative pianist and composer Myra Melford brings her exploratory approach and her adventurous melodic sense to her 2015 release Snowy Egret with her new ensemble of the same name. The inspiration for this intriguing album is Uruguayan author Eduardo Galleano's Memory of Fire trilogy. Originally part of a multimedia performance called the “Language of Dreams" ...
Paul Dietrich: We Always Get There
by Hrayr Attarian
Chicago based trumpeter and composer Paul Dietrich's debut album We Always Get There is a vibrant and explorative work of modern music that inhabits the border zone between the mainstream and the Avant-Garde. The record's intricately constructed originals, with dramatic ambiences, are provocative while remaining intensely melodic, simultaneously accessible and pleasantly challenging.The intimate theme ...
Muddy Waters 100: Muddy Waters 100
by James Nadal
When a local guitarist and blues singer in Clarksdale, Mississippi named McKinley Morganfield made his first field recording at the Stovall plantation, on August 31, 1941, he had no idea where this music would take him. By the time he plugged his guitar into an amplifier on Chicago's Southside in 1943, he had become Muddy Waters, ...
Makaya McCraven: In The Moment
by Mark Corroto
Somewhere in heaven Miles smiles, Miles Davis that is. Beside him, listening to In The Moment by drummer, mixmaster, and organizer Makaya McCraven is Teo Macero. Both men would have given the nod to this project that culled 73 minutes of music from 48 hours of live performance, recorded over a year of performance with an ...
Henry Threadgill Zooid: In For A Penny, In For A Pound
by Hrayr Attarian
Innovative multi-reed player and composer Henry Threadgill is no stranger to adventurous projects. Starting with the groundbreaking trio Air four decades ago he has not stopped expanding his creative boundaries. The ambitious multi-part suite In for a Penny, In for a Pound highlights the unusual instrumentation Threadgill has always incorporated in his groups. Each ...
The Rempis Percussion Quartet: Cash And Carry
by Mark Corroto
Besides his regular duo performances with fellow Chicagoans drummer Tim Daisy or Frank Rosaly, The Rempis Percussion Quartet is saxophonist Dave Rempis' longest standing active group. To mark their tenth anniversary in 2014, they met at Chicago's Hungry Brain and recorded two lengthy pieces of music.Success for each of these players has limited their ...
Anthony Braxton: Trio and Duet
by Hrayr Attarian
Multi reed player and composer Anthony Braxton has been called a genius by some and for very good reason. He is one of the most restlessly innovative and intelligently idiosyncratic contemporary musicians. He seamlessly erases the boundaries between the composed and the improvised and his works brim equally with fresh and progressive ideas as well as ...
Matana Roberts: Always
by Mark Corroto
The saxophone is possibly the musical instrument that produces a sound closest to the human voice. Listening to a virtuoso saxophonist like Matana Roberts, one hears more than just breath through a reed instrument. Her solo recording Always, travels beyond voice, to mind, body, and spirit. Recorded in studio, without the benefit of a ...
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