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About Illinois Jacquet
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Illinois Jacquet
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Illinois Jacquet is considered to be one of the most influential tenor saxophonists in the history of jazz music. Born on October 31, 1922, in Broussard, Louisiana, Jean Baptiste Illinois Jacquet, at the age of 19 on the very first recording of his career, spawned an entirely new style and sound for the tenor saxophone. His classic solo on “Flying Home” recorded with the Lionel Hampton Band at Decca Records in New York City, on May 26, 1942, catapulted Jacquet to international fame and the solo became more famous than the song itself. All saxophonists learned to play Jacquet’s solo, every band recorded it, and people all over the world were humming this most famous solo in jazz history. Two years later, on July 2, 1944, while improvising with Nat King Cole on piano and Les Paul on guitar for a benefit concert at the Philharmonic Auditorium in Los Angeles, California, Jacquet began to play a range of notes he had never played before
I Love New York
by Marshall Bowden
This article first appeared on All About Jazz in October 2001. There's another reason as well. New York City is a financial and business center, certainly, and this is one reason it was marked for attack. But it is also very much our nation's cultural and arts center, the showpiece of the country that ...
Texas Tenors and the Big Beat
by Marshall Bowden
This article first appeared on All About Jazz in July 2002. Texas is a miniature of the cultural and musical melting pot that is American music. Texas shares a border with Louisiana, inheriting some of that state's French and Caribbean roots, and when it comes to the blues, Texas has its own style. Texas ...
Fuchsthone Orchestra featuring Evi Filippou & UMO Helsinki Jazz Orchestra featuring Jazzmeia Horn at Jazzfest Bonn 2026
by Artur Moral
Fuchsthone Orchestra featuring Evi FilippouUMO Helsinki Jazz Orchestra featuring Jazzmeia HornTelekom Forum Bonn, GermanyMay 9, 2026 Its host city may lack the jazz pedigree of others, but the truth is that, barely fifteen years old, Jazzfest Bonn has carved out a place among its most prestigious German counterparts--those of Moers, ...
In the Land of Giants: OJCs from Thad Jones and Red Garland
by C. Andrew Hovan
The late 1950s marked a particularly fertile period in jazz. Big bands still commanded audiences, while smaller combos often blended veterans of the swing era with the rising architects of modern bop. Musicians such as Thad Jones, Frank Wess, Illinois Jacquet, and Coleman Hawkins moved fluidly among ensembles, thriving in a moment before the stylistic fault ...
Introducing Trumpeter Nathaniel Williford
by Sanford Josephson
Nathaniel Williford's jazz education began when he entered the sixth grade at Osceola County School for the Arts in Kissimmee, FL. “The magic started happening at our instrument trial day," he recalled, “selecting what we'd play in the band program. The trombone was what stood out to me. I could make some basic sounds on the ...
Prestige Rara Avis: Kenny Burrell and Frank Wess
by C. Andrew Hovan
Over the past decade, music lovers and jazz collectors have enjoyed a wealth of opportunities thanks to the ongoing vinyl renaissance. Back in the 1980s and '90s, Fantasy Records became a favorite among enthusiasts with its Original Jazz Classics series, reissuing nearly a thousand titles from its vast catalog, which included Prestige, Riverside, and Contemporary. After ...
The Jazz Innovator: Jerald Miller
by B.D. Lenz
It's understood that talent alone is rarely enough to be successful in the music business. Among other things, it requires drive, relentless hard work, resilience, and a certain level of business acumen. But, in the last few decades, it's become increasingly important to be tech-savvy as well. To highlight the difference, could you imagine Miles Davis ...
Ten Terrific Sax Plus Organ Combinations
by Artur Moral
OK, maybe the electric guitar was its first and most celebrated love affair, but the organ's alliances with the saxophone's family members are undoubtedly among the richest musical combinations, both in terms of sound and the intense interrelationships that typically develop in such encounters. Whether it be a tenor with a Hammond, a soprano with an ...
Gary Smulyan: Boss Baritones
by David A. Orthmann
The once-popular pairings of such incisive hard-blowing saxophonists as Johnny Griffin with Eddie “Lockjaw" Davis and Gene Ammons with Sonny Stitt constitute some of the inspiration behind the making of Boss Baritones. Incorporating material penned by Griffin, Davis, Illinois Jacquet, Don Byas and J.R. Monterose indicates a healthy respect for giants who may no longer be ...
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