Results for "Idrees Sulieman"
by Chris May
Jazz has been inextricably linked with social and political protest since at least the late 1930s, when Billie Holiday made famous the leftist songwriter and poet Abel Meeropol's Strange Fruit." The song, which has a power to move that is undiminished by familiarity, likens the bodies of lynched African Americans to fruit hanging in trees.
by Chris May
From 1953, when it was set up, to 1964, when it was acquired by ABC, Riverside Records rivalled Blue Note and Prestige as one of the leading independent jazz labels based in New York City. The founders of all three labels were jazz fans who operated on slim margins and became producers partly because they enjoyed ...
by Karl Ackermann
The sensitivity reflected in much of Mal Waldron's music was a deep aspect of his psyche. The Harlem-born pianist, who died in Brussels, Belgium, in 2002, worked downtown with saxophonist Ike Quebec at Café Society in the early 1950s and went on to record on several Charles Mingus recordings including Pithecanthropus Erectus (Atlantic), Jazz Composers Workshop ...
by Chris May
A well-intentioned tribute to the late pianist, composer and pioneer of Maghrebi jazz Randy Weston by the keyboard player Cheikh Tidiane Seck, Timbuktu: The Music of Randy Weston never really gets off the ground. Seck, whose c.v. includes spells with Mali's Super Rail Band de Bamako, Les Ambassadeurs, Salif Keita and Amadou & Mariam, and Senegal's ...
Label: Groovin High
All of You; Confirmation; Pinky; Stella by Starlight; Visa; Tour de Force; Tangier Blues.
Invitation; Round Midnight; These Foolish Things; Wee; Circular Breathing Blues; Piano Improvisation.
by Stefano Merighi
La pubblicazione in doppio album di queste sedute del 1959 del quartetto di Idrees Sulieman rivestono importanza in primo luogo per ascoltare il talento assoluto del pianista Oscar Dennard. Colpevolmente dimenticato, Dennard si rivela uno strumentista di primissimo piano, una voce fuori dal coro tra i pianisti attivi negli anni 50. Un po' strangolato nell'orchestra ...
by Marc Davis
There's bebop, there's hard bop--and then there's Thelonious Monk. It's not hard to imagine where the bebop pioneers found their new sound in the late 1940s, after World War II. It emerged from the big bands, which were dying. It was a natural progression. Hard-charging, uber-fast soloists pushed the limits of speed and rhythm, ...
by Maurizio Zerbo
Un'aurea classicità sostanzia l'elevato livello artistico di un trombettista superbo, abile nell'assorbire e riplasmare la tradizione del proprio strumento. L'ultimo CD di Brian Lynch costituisce un affascinante excursus nel repertorio dei musicians' musicians degli anni '50 e '60, tra i quali Tommy Turrentine, Idrees Sulieman, e Joe Gordon di cui Lynch propone partiture inedite. Le dieci ...
by George Colligan
[ Editor's Note: The following interview is reprinted from George Colligan's blog, Jazztruth] Dwayne Burno is one of the great bass players of his generation. Originally from jny: Philadelphia, Burno has been on the New York and international jazz scene since 1990. He has played with so many of the great legends of jazz: ...