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Andrew McCormack: First Light
by Ian Patterson
English pianist Andrew McCormack came to wider attention in the UK with his debut Telescope (Dune, 2006) and his subsequent Rising Star BBC Jazz Award. McCormack was already an established figure on the London jazz scene through his association with Tomorrow's Warriors and J-Life though a decade on he's probably still best known as a sideman ...
Neil Burns Trio Featuring Steve Davis Kicks Off Monthly Jazz Series In Enniskillen
Marlbank.net (Ireland’s only daily jazz website) in association with Harnessing Creativity and Jazzeys presents The Neil Burns Trio featuring drummer Steve Davis, Friday 12 September at Jazzeys, Darling Street, Enniskillen. Performing at the first of a new monthly Further Into Jazz Club Night, Further into Jazz shines the spotlight on a music under-exposed locally through the ...
Marialy Pacheco: Introducing
by Ian Patterson
The album title is something of a misnomer as Introducing is Marialy Pacheco's seventh release as leader since Benediciones (Weltwunder Records, 2005). The Melbourne-based Cuban's stock has certainly risen since that introduction, notably as a result of becoming the first female winner of the Montreux Jazz Festival Solo Piano Competition in 2012. A noted classical pianist ...
Hong Kong International Jazz Festival Returns September 14 - 20
The Hong Kong International Jazz Festival returns for its eighth edition with an enticing offering of jazz of very different stripes over four days. Jazz festivals in Hong Kong have has a checkered history over the past quarter of a century but thanks to the eternal enthusiasm and the unstinting efforts of the Hong Kong Jazz ...
Oz Noy: The Twisted Wizardry Of Oz
by Ian Patterson
Any blues played by Oz Noy would have to be a little twisted. Drawing on influences ranging from the classic jazz guitarists of yesteryear to the trailblazers of more recent vintage, Noy's instantly recognizable voice is also heavily influenced by blues and heavy metal guitarists. Two and a half years have passed since Twisted ...
Christian Vuust: Urban Hymn
by Ian Patterson
Multi-reedist/composer Christian Vuust has been a mainstay of the Danish jazz scene for close to thirty years. A professor at the Royal Academy of Music in his hometown of Aarhus, Vuust has crafted a significant discography as leader, working with some of Denmark's best jazz musicians. Urban Hyms marks a departure for Vuust, being his first ...
Marius Neset/Trondheim Jazz Orchestra: Lion
by Ian Patterson
Lion is a good name for Marius Neset's first recording with the Trondheim Jazz Orchestra, for like a great cat, the Norwegian orchestra purrs and prowls, roars and pounces. Regardless of tempo--whether cruising or charging--there's majesty in the collective voice. Commissioned for the Molde Jazz Festival in 2012, the momentum from that performance took Neset and ...
Stefano Bollani: Joy in Spite of Everything
by Ian Patterson
Like a kind of musical contortionist, Stefano Bollani keeps repositioning himself with eye-popping ease. The diversity and eclecticism of Bollani's projects are reflected in the sweeping breadth of his vocabulary; his output as leader on ECM alone, since his debut Piano Solo (ECM, 2006), is indicative of his adventurous spirit. That solo outing was followed by ...
Ahmad Jamal & Yusef Lateef: Live At The Olympia
by Ian Patterson
Ahmad Jamal's live performances have been well represented in his discography over the past sixty years. Yet despite touring the globe, all Jamal's live recordings--with the exception of the DVD concert from Lebanon, Live at Baalbeck (Birdology, 2003)--document North American and European gigs. France has always accorded the Pittsburgh pianist a royal welcome, naming him an ...
John McLaughlin & The 4th Dimension: The Boston Record
by Ian Patterson
The Boston crowd's roars on this live set from John McLaughlin and the 4th Dimension's 2013 tour say as much about the dazzling interplay of the band as it does about McLaughlin's enduring appeal. For sure, McLaughlin remains one of jazz-fusion's major draws but the acclaim has little to do with nostalgia and everything to do ...
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