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6

Article: Album Review

Rich Thompson: Less is More

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Drummer and educator Rich Thompson's third release as a leader Less is More, on the Seattle based Origin records, is a suave mix of quintessential hard bop standards; show tunes and a couple of originals that is full of delightful group dynamics and individual virtuosity. Thompson leads his quartet with a relaxed confidence and impeccable dexterity ...

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Article: Album Review

Eddie Daniels & Roger Kellaway: Duke at the Roadhouse: Live in Santa Fe

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For their third collaboration on IPO records, veteran musicians pianist Roger Kellaway and multireed player Eddie Daniels recorded a benefit concert for “Santa Fe Center for Therapeutic Riding." The resulting Duke at the Roadhouse: Live in Santa Fe is a tribute to pianist and composer Duke Ellington comprising eight of his standards and an original a ...

4

Article: Album Review

Samo Salamon: Stretching Out

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Slovenian master guitarist and composer Samo Šalamon is one of those rare musicians whose versatility is not aimless and his unique, instantly recognizable, style is far from predictable. Both of these characteristics are amply demonstrated on his fourteenth release, the double disc set Stretching Out comprising of two live sessions captured in 2008, and 2012.

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Article: Album Review

Ode To Omni: October's Fire

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The Philadelphia based collective, Ode to Omni's debut album October Fire is heavily influenced by the 1970s spiritual jazz recordings, particularly those on the legendary now sadly defunct label, Strata East. A couple of gem's that instantly come to mind are The John Betsch Society's Earth Blossom (Strata East, 1972) and Billy Parker's Fourth World's Freedom ...

4

Article: Album Review

Billie Davies: 12 Volt

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Belgium native and Los Angeles based drummer Billie Davies continues to forge her own path in the improvised music world. Endowed with an explorative temperament and unique, yet definite swing sense, Davies pays homage to Gypsy musicians on her fourth release as a leader, 12 Volt. Just to be clear, this is not an ...

2

Article: Album Review

Becky Archibald: Midnight At Monteton

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Pianist and composer Becky Archibald's sixth release as a leader, Midnight at Monteton is a diverse collection of highly polished originals with catchy harmonic hooks. Recorded over a span of three years, Archibald is heard mostly with a variety of her regular collaborators creating a relaxed amicable mood that permeates the entire album. The ...

3

Article: Album Review

Jamie Baum: In This Life

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Flutist and composer Jamie Baum's In This Life is a richly textured album both in a harmonic and conceptual sense. Inspired by her travels through India and Nepal and influenced by the music of the late Qawwali singer Nusrat Fateh Ali Khan, this collection of intriguing originals (and two Khan covers) is simultaneously deeply spiritual and ...

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Article: Album Review

Billy Mintz: Mintz Quartet

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What is remarkable about drummer's Billy Mintz's debut recording Mintz Quartet is his masterful versatility on his instrument. That is no surprise as Mintz, an in demand sideman, has played with a wide variety of musicians during his career ranging from disco diva Gloria Gaynor to saxophonists Lee Konitz and Charles Lloyd. A well-known educator and ...

3

Article: Album Review

Brian Landrus Kaleidoscope: Mirage

Read "Mirage" reviewed by Hrayr Attarian


Multi-instrumentalist and composer Brian Landrus' Mirage is his most accomplished, and thematically unified recording to date. The music shimmers like the phenomenon of the title as pastel colored harmonies of a string quartet bleed into the deep, earthy tones of low reeds and the fusion-like sounds of the band, Kaleidoscope.On “Don't Close Your Eyes" ...

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Article: Album Review

Matt Parker: Worlds Put Together

Read "Worlds Put Together" reviewed by Hrayr Attarian


Genre bending saxophonist Matt Parker's debut album, Worlds Put Together, is a collection of mostly short pieces that crackle with originality and are imbued with an urgent and imaginative spontaneity. These are not mere sketches for expanded and more developed future compositions. They are conceptually crystalized, complete yet free-flowing and raw works that pack a visceral ...


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