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13

Article: Extended Analysis

Eric Revis: In Memory Of Things Yet Seen

Read "Eric Revis: In Memory Of Things Yet Seen" reviewed by Henning Bolte


Bassist Eric Revis is a heavyweight in more than one respect. He is doing the improbable in a remarkable way, thereby ignoring collectively imposed and maintained demarcations at work. Armed with his physically very present, raw and vibrant bass sound he beats his track into the realms of freely improvised music. He made his debut as ...

5

Article: Album Review

Leo Welch: Sebougla Voices

Read "Sebougla Voices" reviewed by Chris M. Slawecki


For decades, singer, guitarist, fiddler and harmonica player Leo Welch has played and sung fertile, deep South country blues and gospel at smalltown picnics and parties in and around his hometown of Sabougla in north central Mississippi, where he also leads the local gospel group Leo Welch & The Rising Souls, and belongs to the Skuna ...

10

Article: From the Inside Out

Raising Vision and Voice

Read "Raising Vision and Voice" reviewed by Chris M. Slawecki


Decades ago, Archie Shepp and Sun Ra were among the first musicians to expand their vision for the human voice beyond the traditional verse-chorus-verse song structure. Today, through digital sampling and other technology, musicians incorporate and manipulate the human voice in ways that even these two iconoclasts might not recognize. At the same time, the profound ...

8

Article: Live Review

John Fogerty at the Paramount

Read "John Fogerty at the Paramount" reviewed by Mike Perciaccante


John Fogerty The Paramount Huntington, NY January 30, 2014 John Fogerty's musical modus operandi encompasses many different styles: Americana, roots rock, Southern rock, psychedelia, swamp rock, country, rockabilly, blues and pop--in short, good old fashioned rock 'n' roll. His songs read like the soundtrack of the past forty ...

4

Article: Live Review

Live From Old York: Big Boy Bloater, Dreadzone & Oli Brown

Read "Live From Old York: Big Boy Bloater, Dreadzone & Oli Brown" reviewed by Martin Longley


Big Boy Bloater City Screen Basement York, UK December 5, 2013 The Bloater returneth, just over a year after his last appearance in York. Back then, he was joined by his full combo, but this 2013 show was a part of the Big Boy's solo tour, ...

14

Article: Year in Review

C. Michael Bailey's Best Recordings of 2013

Read "C. Michael Bailey's Best Recordings of 2013" reviewed by C. Michael Bailey


For the last number of years I have been devoting myself almost exclusively to jazz vocals. This will be reflected this year as I will provide two best-of-2013 lists: one for (primarily) jazz vocals and one for everything else. Each year, there is more of both released than can be listened to. Vocal ...

3

Article: Album Review

Buddy Flett: Buddy Flett - Rough Edges

Read "Buddy Flett - Rough Edges" reviewed by C. Michael Bailey


It's all in a name. Some names and occupations just go together, especially in sports. Harmon Killebrew, Orlando Cepeda, and Catfish Hunter are all baseball names. Blues musicians have similar iconic names. The Ur-Blues has Eddie “Son" House, Nehemiah “Skip" James, Tommy Johnson, and Charlie Patton. The generation after has Muddy Waters (McKinley Morganfield), Howlin' Wolf ...

6

Article: Interview

Marvin Sewell: Stepping Up to the Plate

Read "Marvin Sewell: Stepping Up to the Plate" reviewed by George Colligan


[ Editor's Note: The following interview is reprinted from George Colligan's blog, Jazztruth]Marvin Sewell might be the greatest guitarist you've never heard of. I first met Sewell at a recording session in 1995. (Sewell, saxophonist Gary Thomas, and I improvised over hip-hop tracks for two days; these sessions were edited into what become Thomas' ...

2

Article: Multiple Reviews

George Thorogood Taught Me To Play Guitar

Read "George Thorogood Taught Me To Play Guitar" reviewed by C. Michael Bailey


Rounder Records has reissued George Thorogood and the Destroyers' first two recordings, George Thorogood And The Destroyers and Move It On Over. Like many white, middle-class kids, it was through the likes of Eric Burdon and the Animals, John Mayall, Joe Cocker, Eric Clapton and, indeed, George Thorogood that I learned the African-American tradition of the ...

News: Interview

Interview: Davide Recchia

Q: Where did the interest in music originate from? A: I started becoming interested in music when I listened to some blues artist like Son House, Robert Johnson, Howlin' Wolf, and many others of that kind of blues. So I start to play my guitar to became a bluesman like that. Q: Were your parents supportive ...


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