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ARTICLE: LIVE REVIEW

Umbria Jazz 2019 - Prima parte

Read "Umbria Jazz 2019 - Prima parte" reviewed by Libero Farnè

Umbria Jazz 2019 Perugia, varie sedi 12-21.7.2019 “Numeri da record assoluto quelli di UJ19: oltre 40.000 paganti con un incasso che ha superato 1 milione e 600mila euro." Con queste parole di evidente soddisfazione si apre il comunicato diramato nella conferenza stampa conclusiva del festival umbro. Indubbiamente a Perugia il ...

ARTICLE: BAILEY'S BUNDLES

Ten Artists: January 2019

Read "Ten Artists: January 2019" reviewed by C. Michael Bailey

I am adopting my “Bailey's Bundle" format as sole vehicle for my music reportage. Moreover, I am sharpening my focus to three segments of the jazz universe, in this order: (1) Jazz Vocals, (2) Archival Releases, and (3) Everything Else. I have changed the title to the more inclusive “Ten Artists," better reflecting how I have ...

ARTICLE: HI-RES JAZZ

Charles Mingus and Miles Davis: Changing Moods

Read "Charles Mingus and Miles Davis: Changing Moods" reviewed by Mark Werlin

The recordings of Charles Mingus in the mid-1950s document a musical voice so distinctive that they are immediately recognizable today. But Mingus' obsessive commitment to the primacy of the composition was not always shared by his peers, nor understood by his critics. A public feud between Mingus, who was struggling unsuccessfully to win critical ...

Furthering The Flute In Jazz: Holly Hofmann and Bill McBirnie

Read "Furthering The Flute In Jazz: Holly Hofmann and Bill McBirnie" reviewed by Dan Bilawsky

Long gone are the days when the flute was only seen as a jazz novelty or a saxophonist's double. Once upon a time you could count the number of notable jazz flautists on a hand (or two), but the ranks have swelled a little bit over the years, and those leading the charge today aren't content ...

Jazz Quanta May

Read "Jazz Quanta May" reviewed by C. Michael Bailey

Oran Etkin Gathering Light Motema 2014 Multi-reedist Oran Etkin gathers his scattered points of inspiration from the whole of the Eastern Hemisphere and a good bit of the Western one. Etkin's main horn is the bass clarinet...not completely unheard of, Eric Dolphy played a mean one, but one ...

ARTICLE: TALKIN' BLUES

Talkin' Blues with the Groovemaster, Jerry Jemmott

Read "Talkin' Blues with the Groovemaster, Jerry Jemmott" reviewed by Alan Bryson

Jerry Jemmott's groove is the bedrock of guitarist B.B. King's career defining hit, “The Thrill is Gone." He was in the studio with Duane Allman and singer Wilson Pickett recording “Hey Jude," a track that was instrumental in launching the late Allman Brothers Band guitarist's musical career; and they were together again for flautist Herbie Mann's ...


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