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The Sound and HTML: Introducing the AAJ Orchestra
by Peter Cobb
In many discussions about jazz's future, people have argued that the Internet will be the next 52nd Street for the music. Sadly, like many things Web, there has been more sizzle than steak. But not always--this past weekend I played a gig with the All About Jazz Orchestra (AAJO), a group that existed purely in binary ...
This Ain't No Ukelele: Jazz Guitarists Anthony Wilson, Daniel Santiago and John Pondel
by Martin Gladu
For better or worse, the electric guitar has generally projected an image of masculinity, a certain macho quality even. Perfect examples of this are the scenes involving Steve Vai's Jack Butler character in Walter Hill's Crossroads (Columbia Pictures, 1986). Cruelly demanding, the instrument has bruised many male egos and crushed their dreams of stardom and fame.
Very Early: Bill Evans 1956-58
In the mid-1950s pianist Bill Evans was still a relative unknown, not yet the jazz-piano giant he’d become on the strength of recordings like Sunday at the Village Vanguard and Conversations With Myself. Evans had a strong influence on post-1960s jazz pianists—an influence some have found fault with, for certainly Evans had what’s been called a ...
Ben Neuman: Introductions
by John Barron
Chicago pianist Ben Neuman explores the realm of piano trio jazz for his debut release Introductions. A straight-ahead affair with clever re-harmonizations of familiar standards, as well as classics by John Coltrane, Herbie Hancock and Horace Silver, the young pianist demonstrates an enlivened approach to hard-swinging improvisation. A pair of Chicago stalwarts, bassist Dennis Carroll and ...
Louis Hayes: The Time Keeper
by John Patten
If drummer Louis Hayes intended to recreate the classic sounds of, well, Louis Hayes recordings on The Time Keeper, he succeeded. In a set of tunes that includes two penned by Hayes, two by saxophonist Abraham Burton, and two by pianist Horace Silver for good measure, Hayes reminds why he's been a leader--and a leading sideman--for ...
Umbria Jazz: Days 4-6, July 13-15, 2009
by Michael J. West
Days 1-3 | Days 4-6 | Days 7-10 The next three days of the Umbria Jazz began with two concert series that promised to be intriguing. American vibraphonist Joe Locke performed three times with Italian pianist Dado Moroni and saxophonist Rosario Giuliani at the very small Oratorio Santa Cecilia church. The trio is recording an ...
Umbria Jazz: Days 1-3, July 10-12, 2009
by Michael J. West
Days 1-3 | Days 4-6 | Days 7-10 “You know," said one American tourist to his friend as he walked past the tents on the first day of Umbria Jazz, “Ever since we got here last week this is all we've heard anyone talk about." Small wonder. The 10-day, citywide festival is more than ...
Alvin Queen at The Turning Point Cafe
by David A. Orthmann
Alvin Queen The Turning Point Cafe Piermont, NY June 22, 2009 A couple of minutes into Shirley Scott's “There's Blues Everywhere," Alvin Queen's medium tempo shuffle beat had a galvanizing effect on his band as well as the normally decorous audience at The Turning Point Cafe. Throughout the fifty minute ...
Freihofer's Jazz Festival: One Great Weekend
by R.J. DeLuke
Freihofer's Jazz FestivalSaratoga Springs, New YorkJune 27-28, 2009Freihofer's Jazz Festival, in its 32nd year, provided an outstanding array of music and musicians and added to its legacy--started by George Wein in 1978--in fine fettle on June 27 and 28 in the upstate New York community of Saratoga Springs. For producer Danny ...
Bill Henderson
by Marcia Hillman
To quote Bill Henderson: “The one constant in my life has been singing." So, it is not surprising that in his 83rd year he is still recording and performing live. Born in Chicago, Henderson made his show business debut as a singer and dancer at the age of four, winning in Phil Baker's Artist and Models ...
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