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ARTICLE: INTERVIEW

Guido Harari, dietro al mirino come un jazzista

Read "Guido Harari, dietro al mirino come un jazzista" reviewed by Luca Muchetti

"Potresti dire che sono un fotografo jazz, alla faccia di chi mi definisce da sempre un fotografo rock!." Guido Harari scherza volentieri sulla sua nomea di “fotografo musicale," autore di alcuni degli scatti entrati nell'immaginario collettivo e che ritraggono artisti come David Bowie, Tom Waits, Lou Reed, Patti Smith, Leonard Cohen, Fabrizio De André (alcuni dei ...

ARTICLE: ALBUM REVIEW

Trio Mediaeval: Rímur

Read "Rímur" reviewed by Mario Calvitti

Rimur (vocabolo che ha già fornito il titolo anche a un album dei Sigur Ros) sono le canzoni in rima o allitterate della tradizione epica islandese che forniscono la base di partenza per questo album del Trio Mediaeval, dove alle voci delle tre cantanti norvegesi si unisce quella strumentale del trombettista loro connazionale Arve Henriksen. I ...

ARTICLE: MULTIPLE REVIEWS

ECM e le voci: Theo Bleckmann e Sinikka Langeland

Read "ECM e le voci: Theo Bleckmann e Sinikka Langeland" reviewed by Mario Calvitti

Con gli anni, le voci hanno acquistato un carattere sempre più rilevante nel catalogo ECM rispetto ai tempi della sua fondazione, quando l'etichetta bavarese era rivolta alla pubblicazione di musica di carattere prevalentemente jazzistico e quasi esclusivamente strumentale. I primi nomi di cantanti a trovar spazio nel catalogo dell'etichetta sono stati quelli di Norma Winstone, Aina ...

ARTICLE: ALBUM REVIEW

Jon Balke: Siwan

Read "Siwan" reviewed by C. Michael Bailey

The competent and successful musico-cultural eutection promoted by ECM founder Manfred Eicher since the release of Jan Garbarek/Hilliard Ensemble's Officium (ECM, 1993) takes another quantum step with keyboardist Jon Balke's imaginative and far reaching Siwan. Balke enters a realm of cross-cultural pollination evolving from Officium, through that same collaboration's expanded vision on Mnemosyne (ECM, 1999) to ...


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