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Musician

Herbie Mann

Born:

The world according to flutist and composer Herbie Mann was a utopian musical paradise where jazz is made up of of Afro-Cuban, Middle-Eastern, R&B, and nearly every other kind of music. In the 1960s, he discovered Brazil's bossa-nova; in the 1970s, he even found disco rhythms in jazz. Unlike most of his contemporaries in jazz, when Mann began playing flute in 1940s he had no forefathers to learn from, no pioneers of jazz flute to idolize. He was forced to look elsewhere—both inside and outside of jazz—to develop his approach to jazz and the flute. Among numerous musical influences, Mann was particularly drawn to rhythms and melodies from South America and the Caribbean. Herbie Mann was born Herbert Jay Solomon in Brooklyn, New York, on April 16, 1930

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Article: Building a Jazz Library

Bill Evans: Ten Essential Sideman Albums

Read "Bill Evans: Ten Essential Sideman Albums" reviewed by Chris May


Bill Evans attracts a special sort of fan. Clinically obsessive is a reasonable description. While far from undiscerning, we find something, usually plenty, to enjoy in every record Evans played on. And we want them all in our collection. Evans' hardcore fans include practically every musician who played with him. Eddie Gomez, his ...

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Article: Radio & Podcasts

Mike Clark, George Benson & Sammy Figueroa

Read "Mike Clark, George Benson & Sammy Figueroa" reviewed by Joe Dimino


From a modern legend and artist of many talents, we begin the 820th Episode of Neon Jazz with Sammy Figueroa and music from am album that honors his late father, Searching for a Memory. We follow that with another legend and a man that gave Sammy his start in Herbie Mann. We also dip into music ...

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Article: Radio & Podcasts

Off Da Hook – Or, You Got Rock in My Jazz

Read "Off Da Hook – Or, You Got Rock in My Jazz" reviewed by Patrick Burnette


We all know about fusion--the (sometime unholy) union of jazz and rock that tried to find a new audience for instrumentalists in the 1970s. But there have always been, well, odder experiments with electricity in jazz, more like intrusions of the rock world than integrations, and we look at four rather varied examples in this here ...

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Article: The Vinyl Post

Que Viva La Musica

Read "Que Viva La Musica" reviewed by C. Andrew Hovan


Much has been made about the making of a hybrid style involving Latin music and jazz strains that was established by Dizzy Gillespie and Chano Pozo in the late '40s. However, the ripples of those early experiments would reach far and wide for subsequent decades, even if the casual listener might have been largely unaware of ...

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Article: Album Review

Various Artists: Hip Holland Hip

Read "Hip Holland Hip" reviewed by Chris May


This carefully curated disc is subtitled Modern Jazz Classics 1950-1970 and is a collection of tracks recorded by Dutch musicians and released in the Netherlands mostly in the late 1950s and early 1960s. Few of the musicians other than a sprinkling of American guest artists such as Herbie Mann and Art Farmer will ...

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Article: Radio & Podcasts

Michael Dease, Bob Brookmeyer, Archie Shepp and More

Read "Michael Dease, Bob Brookmeyer, Archie Shepp and More" reviewed by Jerome Wilson


This program has a wide range of newer and older modern jazz, including recent music from Michael Dease and Anthony Branker and older work from Bob Brookmeyer and the Archie Shepp Attica Blues Big Band. Playlist Henry Threadgill Sextett “I Can't Wait Till I Get Home" from The Complete Novus & Columbia Recordings of ...

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News: Video / DVD

Backgrounder: Mann and Rouse, Just Wailin'

Backgrounder: Mann and Rouse, Just Wailin'

On February 14, 1958, Bob Weinstock brought together a sextet to record for his New Jazz Records. Weinstock had founded New Jazz in 1949 as his first label just before launching Prestige later that year. Despite Prestige's success in the 1950s, Weinstock kept New Jazz alive for reasons that are unclear. He may have done so ...

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Article: Journey into Jazz

Record Store Day 2023 Jazz Releases

Read "Record Store Day 2023 Jazz Releases" reviewed by Kyle Simpler


Record Store Day, which started in 2007, is a biannual event designed to promote independent record stores. Every Record Store Day drop features limited-edition vinyl releases in practically every genre of music. The releases, however, are offered on a limited basis, and they are available for one time only. As a result, collectors often wait in ...

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Article: Building a Jazz Library

Michel Legrand: Hollywood Hitmaker And Jazz Genius

Read "Michel Legrand: Hollywood Hitmaker And Jazz Genius" reviewed by Chris May


For many jazz fans, Michel Legrand is celebrated, if he is celebrated at all, for one album only: the masterpiece Legrand Jazz (Columbia, 1958). But Legrand's jazz legacy is more extensive than that, including other historic recordings, with large and small ensembles, under his own name and by Stan Getz and Phil Woods, whose Images (RCA, ...


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