Results for "Herbie Mann"

Herbie Mann

The world according to flutist and composer Herbie Mann was a utopian musical paradise where jazz is made up of of Afro-Cuban, Middle-Eastern, R&B, and nearly every other kind of music. In the 1960s, he discovered Brazil's bossa-nova; in the 1970s, he even found disco rhythms in jazz. Unlike most of his contemporaries in jazz, when Mann began playing flute in 1940s he had no forefathers to learn from, no pioneers of jazz flute to idolize. He was forced to look elsewhere—both inside and outside of jazz—to develop his approach to jazz and the flute. Among numerous musical influences, Mann was particularly drawn to rhythms and melodies from South America and the Caribbean. Herbie Mann was born Herbert Jay Solomon in Brooklyn, New York, on April 16, 1930

The Rebel Festival

By KARL ACKERMANN

On the morning of July 4, 1960, there were more than a few signs of the mayhem that had taken place the night before in Newport, Rhode Island. Newport's Millionaires Row woke up to broken store windows, overturned vehicles, and storm drains clogged with garbage and beer bottles. One-hundred-eighty-two people, mostly young, New England college students ...

My Early Years With Bill Evans, Part 3

By CHUCK ISRAELS

Bassist and composer, Chuck Israels was raised in a musical family. Paul Robeson, Pete Seeger and The Weavers were visitors to his home and the appearance of Louis Armstrong's All Stars in a concert series produced by his parents in 1948 gave Chuck his first opportunity to meet and hear jazz musicians. Chuck studied the cello ...

Another Set of Recent Listeners’ Favorites

By MARC COHN

The number of the week is five (as in Show 435)! So, it's time for listener favorites from recent shows (421-430). WHYR, Mixcloud, Pacifica and All About Jazz messages, emails, and one-on-one (masked!) feedback in the grocery store are all considered. That would generate some five to six hours of material. So, we have to exercise ...

Atlantic Records: More Giant Steps: An Alternative Top 20 Albums

By CHRIS MAY

Ahmet and Nesuhi Ertegun's Atlantic Records differs in one key respect from Prestige, Riverside, Impulse!, Strata-East and Flying Dutchman, the most prominent labels covered so far in this Building A Jazz Library series. Those labels' discographies consist almost exclusively of jazz. Atlantic had parallel interests in soul and rhythm-and-blues and, later, rock. This had consequences, as ...

Prestige Records: An Alternative Top 20 Albums

By CHRIS MAY

Along with Alfred Lion's Blue Note and Orrin Keepnews' Riverside, Bob Weinstock's Prestige was at the top table of independent New York City-based jazz labels from the early 1950s until the mid 1960s. Like those other two labels, Prestige built up a profuse catalogue packed with enduring treasures. Originally a record retailer, Weinstock ...

Ted Moore Trio: The Natural Order of Things

By JACK BOWERS

A piano trio led by a drummer? While that may not always be The Natural Order of Things, it is here. The drummer is the veteran Ted Moore, his teammates the talented pianist Phil Markowitz and rock-solid bassist Kai Eckhardt. Moore composed and arranged (almost) all of the music, which enlivens themes from Brazil and Spain, ...

Big April Birthdays & More

By MARC COHN

April birthdays this week on G&M with the Carmen McRae centennial, along with the 90th birthdays of Herbie Mann, pianist Frank Strazzeri (who toured in the 1970's with Elvis!), Claude Bolling and Richard Davis (the latter 2 still with us); as well as the 80th birthdays of George Adams and the very much alive Herbie Hancock! ...

Chick Corea in the Fusion Era - Acoustic and Electric (1966 - 1973)

By RUSSELL PERRY

Chick Corea began recording as a sideman for artists like Mongo Santamaria, Blue Mitchell, Herbie Mann and Cal Tjader in 1962. In 1966, he started his career as a leader, while still touring with Stan Getz. Like many others, his studio work and touring with Miles Davis from 1968--1970 raised his profile, leading him to a ...

Craft Recording's "Chet" is a Rare Win for Baker

By PATRICK BURNETTE

"There's a little white cat out here who's going to eat you up." —Charlie Parker (to Miles Davis) Chet Baker and Miles Davis. Two trumpet players born three years apart. Both unusually handsome and slight of build. Both lacking, as trumpeters, the qualities most often associated with those brass alphas of the jazz ...