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My Early Years with Bill Evans, Part 2
by Chuck Israels
Bassist and composer Chuck Israels was raised in a musical family. He studied the cello and played guitar in junior high school. Later musical training took place at Indian Hill, a summer workshop in the arts directed by his parents, and at the High School of Performing Arts in New York City. A year at Massachusetts ...
Results for pages tagged "Herb Pomeroy"...
Herb Pomeroy
Born:
With Louis Armstrong as inspiration, Herb Pomeroy chose the trumpet as his instrument. By age twenty-five, he had performed with Charlie Parker, toured with Stan Kenton and Lionel Hampton and recorded with Serge Chaloff. Herb Pomeroy became known as a "musician's musician," a leader in big band jazz, an improviser of uncommon stature, a legendary educator at the Berklee College of Music for forty-one years and founder and director of the Festival Jazz Ensemble at MIT for twenty-two years. By the age of twenty-two audiences already had identified Pomeroy as an exceptional trumpet player. He left Harvard University after one year to join the legendary Charlie Parker Quintet
Bob Freedman: Jazz Themes
Bob Freedman was a wonderful arranger and ardent JazzWax reader. His finest arrangement was And We Listened for Maynard Ferguson's A Message From Newport (1958). He finest album was the little-known Jazz Themes From Anatomy of a Murder. The album was recorded at Boston's Ace Studios for the Coronet label in 1959—the same year Otto Preminger's ...
Jazzkaar 2019
by Martin Longley
Jazzkaar Tallinn, Estonia April 23-28, 2019 Towards the second half of Jazzkaar, there was an invasion of starry Americans, overwhelming the normally quite striking wealth of indigenous Estonian talent. As ever, the fundamental structure of this 10-dayer revolved around its two main stages in the Telliskivi Creative City, Vaba Lava ...
Richie Beirach: Indelible Memories and Thought-Provoking Reflections on a Life in Jazz, Part 1
by Victor L. Schermer
Part 1 | Part 2 Richie Beirach hovers somewhat mysteriously in the pantheon of the great modern jazz pianists. Some of the others in that category from his generation (coming up in the 1960s/'70s), like Herbie Hancock, Keith Jarrett, Chick Corea, and Kenny Barron have greater celebrity, but Beirach easily qualifies alongside them as ...
Bird's Trumpets
by Matt Lavelle
Looking closely at all the trumpet players that played with Thelonious Monk in a piece I wrote in March 2018, I decided to continue the focus, and explore the trumpet players that played with Charlie Parker. As challenging as the trumpet is to play, playing Bebop raised the technical bar. Playing with Charlie Parker at fast ...
Anthony Weller + Herb Pomeroy
Boston trumpeter and educator Herb Pomeroy was known largely for his big band work as a leader and sideman. But in the early 2000s, Pomeroy led a gorgeous, romantic working trio consisting of Pomeroy on trumpet, Anthony Weller on guitar and David Landoni on bass. The group recorded three albums—two live and one in the studio. ...
Alan Broadbent: Intimate Reflections on a Passion for Jazz
by Victor L. Schermer
Pianist, composer, and arranger Alan Broadbent doesn't just “dig" jazz. He has a deep and enduring passion for it. Growing up in mid- 20th-century New Zealand, he quickly went beyond piano lessons to reading musical scores and learning jazz standards. Then, when the Dave Brubeck Quartet came to his relatively isolated hometown of Auckland, his love ...
Michael Gibbs With The Gary Burton Quartet: Festival 69
by Roger Farbey
On the first two discs of this previously unreleased three CD set, recorded at a single concert on 20th November 1969, the music is regularly punctuated by Gary Burton's announcement tracks, which are not always easily intelligible. However, his announcement preceding Steve Swallow's joyously rousing “Portsmouth Configurations" (actually “Portsmouth Figurations," from the 1967 RCA studio album ...
Culture Clubs: A History of the U.S. Jazz Clubs, Part III: Kansas City, Philadelphia, Los Angeles & Beyond
by Karl Ackermann
Beyond the Hubs While New Orleans, Chicago, Kansas City and New York City were the incubators of modern jazz, they were by no means the only locations with an appetite for live music. Jazz artists whose point of origin could not sustain multiple venues ventured to locations near and far to practice their trade. ...
