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Chuck Redd: 40 Years On the Road
by Mark Robbins
Chuck Redd is a busy, busy man. This interview took place after one of his many sets during the North Carolina Jazz Festival, which celebrated its fortieth anniversary at the beginning of 2020. Coincidently, Redd is also celebrating his 40th anniversary of being on the road as one of the most versatile and in-demand drummers and ...
Results for pages tagged "Herb Ellis"...
Herb Ellis
Born:
Growing up just outdside of Dallas, Texas, Ellis first heard the electric guitar performed by George Barnes on a radio show. This experience inspired him to take up the guitar, and he became proficient on the instrument by the time he entered North Texas State University as a music major. While in college Ellis heard recordings of Charlie Christian, his main jazz influence. After dropping out of collegeEllis spent time on the road with Glen Gray and the Casa Loma Orchestra, Jimmy Dorsey, and Soft Winds. It was with Dorsey that Ellis would record some of his first solos. He became prominent after performing with the Oscar Peterson Trio from 1953 to 1958
Nat "King" Cole: Hittin’ the Ramp: The Early Years (1936-1943)
by Victor L. Schermer
While he achieved fame and fortune as a pops crooner of the 1950s-60s, Nat “King" Cole firmly occupies a place in jazz history. Unlike Frank Sinatra, Tony Bennett, Rosemary Clooney and others who began their careers as singers, Cole started out as a pianist, composer/arranger, and band leader, working small clubs in Chicago, soon adding vocals ...
Chuck Anderson: Original Jazz Works
by Victor L. Schermer
Philadelphia boasts three legendary guitarists--Pat Martino, Jimmy Bruno, and Chuck Anderson--who belong on anyone's profiles in courage" list. Each has made heroic recoveries from disabling medical conditions, recovering their chops and playing better than ever. Anderson, who some time ago recovered from debilitating sleep apnea, and after recently suffering a massive coronary and spending two weeks ...
2019 Tri-C JazzFest Cleveland
by C. Andrew Hovan
2019 Tri-C JazzFest Cleveland Playhouse Square Cleveland, Ohio June 27-29, 2019 The year was 1979. Mainstream styles were on the wane and the major labels had largely abandoned jazz product, with the invention of the compact disc some three years in the future. The musical landscape in terms of jazz was ...
Nate Najar with the John Toomey Trio at Attucks Theatre
by Mark Robbins
In 1961, under the sponsorship of the U.S. State Department, jazz/classical guitarist Charlie Byrd toured South America. This trip proved to be fortuitous for both Byrd and North America for it introduced Byrd to the Brazilian Bossa Nova. Back in the states Byrd played Bossa Nova tapes for Stan Getz who then convinced producer Creed Taylor ...
Dave Liebman: On the Corner Live!
by Victor L. Schermer
When the Miles Davis album On the Corner (Columbia, 1972) was released, Davis had already begun to engage in electronic instrumentation and jazz fusion with soon to be revered recordings: In A Silent Way (Columbia, 1969), Bitch's Brew (Columbia, 1970) and Jack Johnson (Columbia, 1971). On the Corner, however, was so experimental and funky that it ...
Susanna Risberg: Bold As Love
by Ian Patterson
Listen to Susanna Risberg playing and it doesn't take long to realize that the twenty-eight-year-old Swedish guitarist is a bit special. Despite her relatively young years Risberg has been gigging for fifteen years already, turning more than a few heads along the way with a style that is unflashy yet exciting, technically impressive yet emotionally keen. ...
Tom Kennedy: In A New York Minute
by Jim Worsley
Riding high on the low end since arriving in New York City in 1984, premier jazz and fusion bassist Tom Kennedy has shared his groove and innate musicality all over the world. He has shared the stage and recording studio with a long list of varied and talented artists. Names like Michael Brecker, Steve Gadd, Lee ...
Ron Carter: Still Searching for the Right Notes
by Rob Garratt
"People from newspapers and magazines always ask me two things," Ron Carter tells a reverent crowd from a stage in suburban Hong Kong. What was it like playing with Miles Davis? And why am I still doing this?" He answers the latter enquiry by pointing left and right simultaneously at his two diligent sidemen, pianist Donald ...