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Rock With Flip
Label: Clef Records
Released: 2021
Track listing: Almost Like Being in Love; Singin' the Blues; All of Me; I'll Never Be the Same; Lemon Aid 21; Birth of the Blues; I've Got the World on a String; The Lady's in Love With You.
Graham Dechter: Major Influence
by Dan Bilawsky
What do you get when you combine a million-dollar feel, sterling technique, clear-eared chording, warm and sophisticated single-note lines and impeccable taste? Graham Dechter, of course. As a longtime member of The Clayton-Hamilton Jazz Orchestra and first-call sideman for the West Coast elite, Dechter has earned his place on the scene. And with his first two ...
Herb Ellis & Remo Palmier: Windflower
In the 1970s, Concord recorded many great jazz albums, especially ones by guitarists. Back in 2010, I posted on Barney Kessel's Soaring, which has long been a favorite. Another Concord winner is Herb Ellis and Remo Palmier's Windflower, a perfect album released in 1978. The two guitarists were backed by George Duvivier on bass and Ron ...
Scott Hamilton and Duke Robillard: Swingin' Again
by Kyle Simpler
In 1987, Duke Robillard released the album Swing (Rounder), a successful combination of jazz and jump blues. He got his old friend, tenor saxophonist Scott Hamilton to help him out with the recording. Although Robillard is primarily known as a blues guitarist, the record made it obvious that jazz is also deeply rooted in his musical ...
Andre Ferreri Quintetto: Numero Uno
by Jack Bowers
On Numero Uno, guitarist Andre Ferreri leads a tight-knit quintet, four of whose members appear on every number with alternating pianists—Sean Higgins, Phillip Howe, Mark Stallings (Hammond B3 on the breezy “Uptown Swing")--and one trumpeter (Brad Wilcox) who makes it a sextet on “Avia Pervia." Tenor saxophonist Ziad Rabie shares the front line while bassist Anna ...
Guitar Gods & Goddesses: An Alternative Top Ten Albums
by Chris May
Although it has been present in jazz since the 1920s, when it was routinely used in rhythm sections, as a solo instrument the guitar struggled to make itself heard--literally--until the second half of the 1930s, when reliable pick-ups and portable amplifiers became available. Foremost among the pioneers of the electrified instrument was Charlie Christian, a member ...
Tom Kennedy: Stories From Behind and Beyond The Bass
by Jim Worsley
Tom Kennedy has never considered himself a prospector, but surely has tapped into a goldmine. As if releasing a hotshot new record wasn't enough, the world class jazz and fusion bassist is in compositional bliss with a bevy of new material yet to be recorded. Kennedy and I talk at length about his new writing technique ...
Impulse! Records: An Alternative Top 20 Zeitgeist Seizing Albums
by Chris May
There can be little argument that a jazz label ever captured a zeitgeist more completely than Impulse! did during its original 1960s incarnation. In the US, the fight back against white racism was cresting, opposition to the Vietnam war was growing, outrage over the assassinations of figures of hope such as President Kennedy, Martin Luther King ...
Byrd, Ellis and Kessel: 1982
On July 17, 1982, three virtuoso jazz guitarists performed together on stage at the Congresgebouw in the Hague, the Netherlands, during the North Sea Jazz Festival. Known then as the Great Guitars, the pickers were Charlie Byrd, Herb Ellis and Barney Kessel. They were backed by bassist Joe Byrd, Charlie’s brother, and drummer Chuch Redd. The ...
Marshal Herridge: Chapter One
by Jerome Wilson
Marshal Herridge is a young bassist from Montreal who here releases his first CD, a set of energetic mainstream jazz, with a band containing three local musicians: guitarist Sam Kirmayer, pianist Andre White and drummer Guillaume Pilote. Herridge wrote all the music using a variety of familiar approaches. “HerridgeIn" has a brisk boppish melody ...
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