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MUSICIAN Born:

Herb Ellis

Growing up just outdside of Dallas, Texas, Ellis first heard the electric guitar performed by George Barnes on a radio show. This experience inspired him to take up the guitar, and he became proficient on the instrument by the time he entered North Texas State University as a music major. While in college Ellis heard recordings of Charlie Christian, his main jazz influence. After dropping out of collegeEllis spent time on the road with Glen Gray and the Casa Loma Orchestra, Jimmy Dorsey, and Soft Winds. It was with Dorsey that Ellis would record some of his first solos. He became prominent after performing with the Oscar Peterson Trio from 1953 to 1958

Impulse! Records: An Alternative Top 20 Zeitgeist Seizing Albums

Read "Impulse! Records: An Alternative Top 20 Zeitgeist Seizing Albums" reviewed by Chris May

There can be little argument that a jazz label ever captured a zeitgeist more completely than Impulse! did during its original 1960s incarnation. In the US, the fight back against white racism was cresting, opposition to the Vietnam war was growing, outrage over the assassinations of figures of hope such as President Kennedy, Martin Luther King ...

NEWS: MUSIC INDUSTRY

Byrd, Ellis and Kessel: 1982

Byrd, Ellis and Kessel: 1982

On July 17, 1982, three virtuoso jazz guitarists performed together on stage at the Congresgebouw in the Hague, the Netherlands, during the North Sea Jazz Festival. Known then as the Great Guitars, the pickers were Charlie Byrd, Herb Ellis and Barney Kessel. They were backed by bassist Joe Byrd, Charlie’s brother, and drummer Chuch Redd. The ...

ARTICLE: ALBUM REVIEW

Marshal Herridge: Chapter One

Read "Chapter One" reviewed by Jerome Wilson

Marshal Herridge is a young bassist from Montreal who here releases his first CD, a set of energetic mainstream jazz, with a band containing three local musicians: guitarist Sam Kirmayer, pianist Andre White and drummer Guillaume Pilote. Herridge wrote all the music using a variety of familiar approaches. “HerridgeIn" has a brisk boppish melody ...

ARTICLE: INTERVIEW

Chuck Redd: 40 Years On the Road

Read "Chuck Redd: 40 Years On the Road" reviewed by Mark Robbins

Chuck Redd is a busy, busy man. This interview took place after one of his many sets during the North Carolina Jazz Festival, which celebrated its fortieth anniversary at the beginning of 2020. Coincidently, Redd is also celebrating his 40th anniversary of being on the road as one of the most versatile and in-demand drummers and ...

ARTICLE: ALBUM REVIEW

Nat "King" Cole: Hittin’ the Ramp: The Early Years (1936-1943)

Read "Hittin’ the Ramp: The Early Years (1936-1943)" reviewed by Victor L. Schermer

While he achieved fame and fortune as a pops crooner of the 1950s-60s, Nat “King" Cole firmly occupies a place in jazz history. Unlike Frank Sinatra, Tony Bennett, Rosemary Clooney and others who began their careers as singers, Cole started out as a pianist, composer/arranger, and band leader, working small clubs in Chicago, soon adding vocals ...

ARTICLE: ALBUM REVIEW

Chuck Anderson: Original Jazz Works

Read "Original Jazz Works" reviewed by Victor L. Schermer

Philadelphia boasts three legendary guitarists--Pat Martino, Jimmy Bruno, and Chuck Anderson--who belong on anyone's “profiles in courage" list. Each has made heroic recoveries from disabling medical conditions, recovering their chops and playing better than ever. Anderson, who some time ago recovered from debilitating sleep apnea, and after recently suffering a massive coronary and spending two weeks ...

ARTICLE: LIVE REVIEW

2019 Tri-C JazzFest Cleveland

Read "2019 Tri-C JazzFest Cleveland" reviewed by C. Andrew Hovan

2019 Tri-C JazzFest Cleveland Playhouse Square Cleveland, Ohio June 27-29, 2019 The year was 1979. Mainstream styles were on the wane and the major labels had largely abandoned jazz product, with the invention of the compact disc some three years in the future. The musical landscape in terms of jazz was ...

ARTICLE: IN PICTURES

Nate Najar with the John Toomey Trio at Attucks Theatre

Read "Nate Najar with the John Toomey Trio at Attucks Theatre" reviewed by Mark Robbins

In 1961, under the sponsorship of the U.S. State Department, jazz/classical guitarist Charlie Byrd toured South America. This trip proved to be fortuitous for both Byrd and North America for it introduced Byrd to the Brazilian Bossa Nova. Back in the states Byrd played Bossa Nova tapes for Stan Getz who then convinced producer Creed Taylor ...

ARTICLE: ALBUM REVIEW

Dave Liebman: On the Corner Live!

Read "On the Corner Live!" reviewed by Victor L. Schermer

When the Miles Davis album On the Corner (Columbia, 1972) was released, Davis had already begun to engage in electronic instrumentation and jazz fusion with soon to be revered recordings: In A Silent Way (Columbia, 1969), Bitch's Brew (Columbia, 1970) and Jack Johnson (Columbia, 1971). On the Corner, however, was so experimental and funky that it ...


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