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1

Article: Live Review

Festival International de Musique Actuelle de Victoriaville 2019, Part 1-2

Read "Festival International de Musique Actuelle de Victoriaville 2019, Part 1-2" reviewed by Mike Chamberlain


Part 1 | Part 2Festival International de Musique Actuelle de Victoriaville Victoriaville, Quebec, Canada May 16-19, 2019 There was a lot of positive buzz leading up to the 35th edition of the Festival International de Musique Actuelle de Victoriaville. On paper, the schedule looked very strong. Looking back over past ...

7

Article: Live Review

Jazz em Agosto 2017

Read "Jazz em Agosto 2017" reviewed by Mike Chamberlain


Jazz em Agosto Lisbon, Portugal July 28-August 6, 2017 Where to start with my description of the Jazz em Agosto experience? The gorgeous setting of the amphitheater in the garden of the Calouste Gulbenkian Foundation (Fundacão Calouste Gulbenkian) in central Lisbon? The musical highlights of the fourteen concerts over ten ...

2

Article: Live Review

Suoni Per Il Popolo 2017

Read "Suoni Per Il Popolo 2017" reviewed by Mike Chamberlain


Casa del Popolo, Sala Rossa, La Vitrola Suoni Per Il Popolo Montreal, Quebec, Canada June 1-24, 2017 This year's edition of the Suoni per il Popolo, or Suoni as it is popularly known, was the 17th since the inception of Mauro Pezzente and Kiva Stimac's Casa del Popolo mini-empire, which also ...

1

Article: Live Review

Ai Confini Tra Sardegna e Jazz - XXXI Edizione

Read "Ai Confini Tra Sardegna e Jazz - XXXI Edizione" reviewed by Paolo Peviani


Sant'Anna Arresi (CI) 01-10.09.2016 Per questa trentunesima edizione, il festival Ai Confini Tra Sardegna e Jazz ha messo al centro del proprio programma la figura di Frank Zappa. Trattandosi di una manifestazione prevalentemente dedicata all'improvvisazione radicale, la rivisitazione del repertorio zappiano non poteva (non doveva!) limitarsi all'agiografia, al tributo, alla riproposizione ...

3

Article: Album Review

Peter Brötzmann / Heather Leigh: Ears Are Filled With Wonder

Read "Ears Are Filled With Wonder" reviewed by John Sharpe


Iconoclastic German reedman Peter Brötzmann has appeared in almost every conceivable combination and circumstance over the years, from the maelstrom of Last Exit to the austere horn choir of Sonore, via hook ups with almost everyone in between, counting such free jazz luminaries as Cecil Taylor, Anthony Braxton and Evan Parker. However on Ears Are Filled ...


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