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Albert Ayler: Copenhagen Live 1964
by John Sharpe
Even more than 50 years on, there's still never been anyone quite like Albert Ayler. Or for that matter like this 1964 Quartet, which was one of the few ensembles during his career to match the tenor saxophonist against equally forward thinking peers. Bassist Gary Peacock was fresh from pianist Bill Evans' Trio, cornetist Don Cherry ...
Marco von Orelli - Max E. Keller - Sheldon Suter: Blow, Strike & Touch
by Glenn Astarita
The members of this experimental Swiss trio have been significant contributors to the avant-garde, or perhaps outside realm of European jazz circles for many years. But this album is bundled with perpetual reconstruction efforts, drifting sequences and mini-themes that are sometimes meditative in scope amid several transient pieces that intersect the full-length works. Nonetheless, the musicians ...
Noah Kaplan Quartet: Cluster Swerve
by Glenn Astarita
Saxophonist Noah Kaplan's second album for the Switzerland-based hatOLOGY label equates to a six-year gap, following his debut, Descendants (2011). But the artist has been productive by pushing the envelope via his multi-purposed activities with various ensembles amid his status as a PhD candidate in Music Composition at prestigious Princeton University. He skirts the free-zone here, ...
Albert Ayler Quartet: Copenhagen Live 1964
by Mark Corroto
It's almost as if the phenomenon that was saxophonist Albert Ayler was just a dream. Nearly fifty years after his death, listeners (and musicians, for that matter) are still catching up to him, and realizing his gift. His life, like that of Charlie Parker, ended at age 34. But where Parker (an originator of bebop) developed ...
Matthew Shipp: Invisible Touch At Taktlos Zurich
by Dan McClenaghan
Pianist Matthew Shipp is prolific. Under his own name and in collaboration with with numerous other free-thinking jazzers--saxophonist Ivo Perlman in the forefront of these--CD releases seem to pour out of him. His best under his own name comes in the trio/duo/solo format. Piano Sutras (Thirsty Ear, 2013); The Conduct Of Jazz (Thirsty Ear, 2013); Piano ...
Albert Ayler Quartet: European Radio Studio Recordings 1964
by Giuseppe Segala
Cosa si può aggiungere alle precise, esaustive note discografiche stilate nel gennaio 2016 da Andy Hamilton per questa splendida edizione delle registrazioni radiofoniche di Albert Ayler effettuate in studio e in concerto nel 1964? Certo, aggiungiamo qualche nostra considerazione a questo ascolto tuttora straordinario di materiali già in precedenza pubblicati, scelti ora dalla svizzera hatOLOGY per ...
Ellery Eskelin Trio: Willisau - Live
by Giuseppe Segala
Ci sono musicisti preziosi nel panorama del jazz contemporaneo. Il loro valore sta non solo in quello che fanno, ma nel rapporto di passione che mantengono con la vicenda della musica neroamericana e improvvisata, nella riflessione e fruizione profonda che li connette alla storia di questa forma artistica. Ellery Eskelin è senz'altro uno di questi: l'ascolto ...
Christy Doran: In The Corner Of The Eye
by Glenn Astarita
Celebrated Irish guitarist Christy Doran's penchant to keep reinventing his musical self is quite evident due to the disparate bands and solo projects he's undertaken for several decades. Whether imparting a jazz fusion spin on Jimi Hendrix with the band Call Me Helium Plays the Music of Jimi Hendrix (Double Moon, 2005) or experimental jazz and ...
Ellery Eskelin Trio Willisau: Live
by Mark Corroto
I considered writing just this sentence as my review of Ellery Eskelin's trio recording Live, “A thing of beauty is a joy forever." Taken from poet John Keats' 1818 poem “Endymion," the line just about says it all. Ok, to appease those that need a bit more information, Keats continues, “its loveliness increases / ...
Marco von Orelli 5: Alluring Prospect
by Alberto Bazzurro
Teniamo d'occhio da un po' di anni lo svizzero (di Basilea, per l'esattezza) Marco von Orelli, e dobbiamo dire che ogni volta che incrociamo qualche sua nuova incisione (di ascoltarlo dalle nostre parti, malgrado la sostanziale vicinanza, non se ne parla) la conferma del suo talento è pronta e convincente. Quest'ultimo lavoro in ...
