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Big Walter Horton
Born:
Big Walter “Shakey” Horton - Blues harmonica, vocalist (1918 - 1981) Walter Horton, also known as Big Walter or Shakey Horton,is counted among the best blues harp players. He is also considered by many to have had the best tone of any Chicago harp player. Horton was born in Horn Lake, Mississippi in 1918, got his first harmonica from his father when he five, and won a local talent contest with it. Shortly thereafter his mother moved to Memphis, then a hotbed of blues, and according to blues researcher Samuel Charters, Horton was playing with the Memphis Jug Band by the time he was nine or ten
Results for pages tagged "harmonica"...
Shakey Jake Harris
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Shaky Jake Harris - Blues harmonica A colorful harmonica player associated with his nephew Blues guitarist Magic Sam, he became a fixture on Chicago’s Southside during the areas heyday of the ‘60’s. James Harris was born in Earle, Arkansas on April 12, 1921, but by age seven had moved to Chicago. Harris began playing in Chicago blues bands during the late 40s. His 1958 single "Call Me If You Need Me"/"Roll Your Moneymaker", recorded for the Artistic subsidiary of Cobra Records, featured guitar work by his nephew Magic Sam, which started an enduring relationship. He did a date with jazz organist Jack McDuff in 1960 “Good Times” for Bluesville, but decided to stick to the Blues after that with “Mouth Harp Blues,” (’62) also for Bluesville, which is considered his best effort. During the 60s he stayed around Chicago and gigged steadily with Magic Sam
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James Cotton
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James Cotton is one of the all-time greats of the blues harmonica, and one of the last of the original Chicago musicians who played and recorded some of the most exciting blues music ever. Cotton's harmonica virtuosity is amazing, recognized for the power and precision of his playing. Cotton and his harmonica are still blazing a trail through the music world and his legacy continues to grow with each passing year, a testament to this enduring Bluesman. Born in Tunica, Mississippi, in 1935, Cotton fell under the spell of the legendary Sonny Boy Williamson at the tender age of nine and quickly became his protégé
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William Clarke
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William Clarke - Blues Harmonica (1951 - 1996) Between his huge frame and the immense sounds he coaxed out of his harmonica, West Coast blues harmonica virtuoso William Clarke was a giant of the blues. A full-time blues musician since quitting his job as a machinist in 1987, Clarke regularly toured the U.S. and Europe before his untimely death in 1996. His mix of Chicago blues traditions with West Coast swing placed him at the forefront of contemporary blues harmonica players. Clarke's harmonica playing, particularly his chromatic work, was simply astonishing. According to the Chicago Sun Times, Clarke was "the most dynamic harp player on the circuit." The Washington Post declared, "Few can match the imposing harp and vocal power of William Clarke." Clarke was born March 29, 1951 into a blue-collar family in Inglewood, California
Results for pages tagged "harmonica"...
Norton Buffalo
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Norton Buffalo is regarded as one of the most versatile and talented harmonica players in the music business. Having performed and recorded across nearly every style of music, he has been widely acclaimed as the finest multigenre harmonica player of all time. His recordings, going back to his first releases on Capitol in 1977 and '78 have all been received with great reviews, are revered by his fans, and are a must in every harmonica player's collection. While his talents on the harmonica have been the most major part of his success, Norton is known as a strong and soulful vocalist (Steve Miller introduces him each night as his "Partner in Harmony") and is as well regarded as a notable songwriter, engineer and producer. For the last thirty four years Buffalo has been a highly celebrated member of the Steve Miller Band, has recorded and toured with some of the top names in music, worked in movies and television, and stayed very busy performing and recording with his many diverse musical ventures many of which will be noted below. In addition to his work on recordings and on stage with Steve Miller, who spotlights Norton’s playing in his shows, Buffalo has also been highly sought after as a recording artist, having played on over 180 albums by artists as diverse as Bonnie Raitt, Kenny Loggins, The Doobie Brothers, The Marshall Tucker Band, Johnny Cash, Kate Wolf, Commander Cody And His Lost Planet Airmen, David Grisman, Juice Newton, Laurie Lewis, Elvin Bishop and George Kahumoku Jr.
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Billy Branch
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Billy Branch was discovered by Willie Dixon, the "father of modern Chicago Blues," while Billy was still in college. Willie encouraged Billy to finish his college education, which he did, but instead of going to law school after receiving his political science degree, Billy began touring with the Willie Dixon Chicago All-Stars. This gave Billy the unique opportunity to travel and work as an under study for the legendary Carey Bell who was planning to leave the All-Stars and form his own band. When Carey took his leave, the young Billy Branch took his place, touring with Willie Dixon for 6 years
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Toots Thielemans
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Jean 'Toots' Thielemans is widely regarded by most people as the most accomplished harmonica player in the world. Of course, that's not all he does and it would be a great injustice to label him as just a good harmonica player. If you are not into Jazz, you may not have heard of his name but you have probably heard his music many times and I suspect you liked it. He is equally good at playing guitar, the accordeon and many other instruments. For instance, you will never hear anyone whistle jazz better than Toots. Born on 29 April 1922 in Brussels, he quickly got interested in music and was playing the accordeon at age 3
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Paul Butterfield
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Many of my generation have told me how once they heard the Butterfield Blues Band; things were never the same inside their heads. At the height of his popularity Butterfield and his musicians ignited an interest in a musical genre that had been buried in a racial enclave of American culture. There are all cultural pivot points which arrested public attention and forever changed our musical sensibilities; all used the styles of African American musicians as a foundation for their own music and, in the bargain, introduced the world to some of America's greatest artists, who had remained invisible
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Billy Boy Arnold
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Billy Boy Arnold firmly established himself as one of the foremost practitioners of classic Chicago blues. His wailing harmonica playing and soulful vocals are a perfect match for his streetwise songwriting. The combination of Delta- influenced blues with a more urban sophistication not only defines Arnold's sound, but was also a significant contribution in the early, formative days of rock and roll. His early work with Bo Diddley and his highly influential singles in the late 1950s, brought him some local attention, but he never received the recognition he rightly deserved. There are many harmonica players to come out the Chicago blues scene
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PT Gazell
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PT Gazell’s first release, “Pace Yourself”, (featuring Jerry Douglas and Ricky Skaggs as sidemen) set the gold standard for diatonic harmonica playing. This blast of sonic bluegrass was and is, ahead of its time. His innovative work with the West Texas Music Company, (Johnny Paycheck's working band) from 1977 to 1980 opened up new musical possibilities for PT. His ability as a soloist and as an ensemble member of the band garnered him both critical and popular acclaim and made him one of the most sought after session players in the country. With his new CD, “Swingin’ Easy…Hittin' Hard”, PT once again sets a standard for others to follow
