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Musician

Max ZT

“I think we’re in the midst of a mass awakening,” says Max ZT, “a kind of collective reprioritization. It feels like we’ve been forging our way through the darkness, and now the light is finally about to break through.” 

With Daybreak, Max’s mesmerizing new album of hammered dulcimer music, the light has arrived. Recorded at home in the midst of the COVID-19 pandemic, the fully-improvised instrumental collection channels all of the hope and fear and pain and discovery of these past few years into a captivating sonic journey that’s equal parts medicine and meditation. The songs here are spare and deliberate, calling on Indian, African, and Celtic traditions as they move with grace and wonder, and the performances are nothing short of entrancing, managing to showcase both Max’s virtuosic command of his instrument and the innovative approach that’s earned him widespread acclaim. A national champion performer, Max has been praised as the Jimi Hendrix of the hammered dulcimer by NPR, but Daybreak isn’t about fireworks or flash. Instead, the album is an offering, an ego-sublimating invitation to step outside of yourself and find peace and comfort in reflection. 


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