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Out of the Roma Villages of Turkey, Clarinet Reigns Beyond Its Traditions
by Arthur R George
The clarinet, foundational for jazz from Sidney Bechet unto Eric Dolphy, remains in strong use in the indigenous Roma music of the eastern Mediterranean. Elsewhere in the world clarinet generally has been moved aside by saxophone's bigger sound. But in the Balkans, Greece, and Turkey, clarinet provides jazz shadings to traditional music, speaks a range of ...
Sting: An English (Jazz-)Man in New York - Part 1
by Ludovico Granvassu
From his early years as a bassist in the trad Phoenix Jazzmen, the straight-ahead Newcastle Big Band, and the fusion quintet Last Exit, to his collaborations with idols like Gil Evans and Miles Davis, jazz has been a constant in Sting's artistic path. This week, we feature music from his jazzier projects as a leader or ...
Music Is Forever - Farewell to Annie Ross
by Mary Foster Conklin
In the first hour, a special tribute to Jazz Master Annie Ross (who sadly passed days before her 90th birthday), plus new releases from Mark Masters, Art Blakey & the Jazz Messengers (a 1959 never released studio recording!), Jimmy Heath, Eva Cortés and Bettye Lavette, with birthday shoutouts to Margaret Whiting, Joanne Brackeen, Lisa Maxwell, Rufus ...
How Sweet it Is
by H William Stine
Sweet. It's a word you don't hear much, especially now. Home Sweet Home? After four months of sheltering in place, what's so sweet about being home? Sweet Dreams? It's been months since I had one. Sweet Spot? I know what it used to mean, but now it means keeping six feet away from people. Sweet Nothings? ...
Jimmy Heath: Love Letter
by Thomas Fletcher
Often nicknamed “Little Bird," Jimmy Heath began on the alto saxophone acquiring this informal title by dedicating his studies to Charlie Parker and his wee stature. Although not a familiar name to many outside of the devoted jazz community, Heath would go on to pursue a remarkable 76-year career sadly passing away in January, 2020. A ...
Jimmy Heath: Love Letter
by Chris May
Love Letter is the final album to be made by saxophonist Jimmy Heath, who passed in January 2020 aged 93. It was completeted just a month earlier. The title is well chosen: the album is a love letter to jazz, a love letter to ballads, and a love letter to Heath's surviving family members, friends and ...
I See You; I Hear You
by H William Stine
I think one of the responsibilities of having a microphone every week is knowing when to shut up. I did that (for the most part) this week and let singers and songwriters who for so many years have seen and heard with perception and then written with eloquent honesty about this painful struggle playing out once ...
50th Anniversary Blue Notes for June
by Marc Cohn
Blue Note 50th anniversaries from June 1970, just two though: Horace Silver (That Healin' Feelin') and Lou Donaldson (Pretty Things). There was also a Reuben Wilson session, but it was never released, and only the 'vault gods' know if it was any good. But you know there's more (don't you?). 21st century music from the Posi-Tone ...
Peter Campbell: Old Flames Never Die
by Dan Bilawsky
There's a “square peg, round hole" problem holding vocalist Peter Campbell back in the renown department. He doesn't fall into the resounding soul-stirrer category, à la Gregory Porter, the bop poet-philosopher niche, ruled by Kurt Elling, the pure experimentalist's camp, typified by Theo Bleckmann, the neo-soul realm, occupied by José James, the group-minded singer-songwriter space(s), elevated ...
Laila Biali: Out Of Dust
by Dan Bilawsky
There's no boxing Laila Biali in. A sharp-minded songwriter, respected pianist and celebrated vocalist who straddles jazz and pop with unusual ease and strength of vision, Biali is truly beyond category. Possessing clear eyes, a perceptive mien and a sharpshooters's gifts in regard to emotional aim, she often expresses more in a single breath than others ...
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