Results for "Gregory Porter"

Gregory Porter

Gregory Porter discovered the music of Nat King Cole through his mother. At the age of five he wrote a song called “Once Upon A Time, I Had A Dreamboat” and recorded it onto a tape. When his mother returned home from work and heard it, she exclaimed in amazement "Boy, you sound like Nat King Cole." From that moment on, Gregory had a desire to know more about this man and his music, and spent hours playing his mother’s old Cole records on his plastic Playskool record player. Since then, Gregory's passion and commitment to expressing himself through music has remained strong, and he has developed a distinct style that ranges from jazz, funk, R&B, blues and gospel—one that is soulful while still maintaining the elegance he learned from his earlier influences. Currently, Gregory has developed a show that is a tribute to the music and memory of Nat Cole

Jimmy Heath: Love Letter

By THOMAS FLETCHER

Often nicknamed “Little Bird," Jimmy Heath began on the alto saxophone acquiring this informal title by dedicating his studies to Charlie Parker and his wee stature. Although not a familiar name to many outside of the devoted jazz community, Heath would go on to pursue a remarkable 76-year career sadly passing away in January, 2020. A ...

Jimmy Heath: Love Letter

By CHRIS MAY

Love Letter is the final album to be made by saxophonist Jimmy Heath, who passed in January 2020 aged 93. It was completeted just a month earlier. The title is well chosen: the album is a love letter to jazz, a love letter to ballads, and a love letter to Heath's surviving family members, friends and ...

I See You; I Hear You

By H WILLIAM STINE

I think one of the responsibilities of having a microphone every week is knowing when to shut up. I did that (for the most part) this week and let singers and songwriters who for so many years have seen and heard with perception and then written with eloquent honesty about this painful struggle playing out once ...

50th Anniversary Blue Notes for June

By MARC COHN

Blue Note 50th anniversaries from June 1970, just two though: Horace Silver (That Healin' Feelin') and Lou Donaldson (Pretty Things). There was also a Reuben Wilson session, but it was never released, and only the 'vault gods' know if it was any good. But you know there's more (don't you?). 21st century music from the Posi-Tone ...

Peter Campbell: Old Flames Never Die

By DAN BILAWSKY

There's a “square peg, round hole" problem holding vocalist Peter Campbell back in the renown department. He doesn't fall into the resounding soul-stirrer category, à la Gregory Porter, the bop poet-philosopher niche, ruled by Kurt Elling, the pure experimentalist's camp, typified by Theo Bleckmann, the neo-soul realm, occupied by José James, the group-minded singer-songwriter space(s), elevated ...

Laila Biali: Out Of Dust

By DAN BILAWSKY

There's no boxing Laila Biali in. A sharp-minded songwriter, respected pianist and celebrated vocalist who straddles jazz and pop with unusual ease and strength of vision, Biali is truly beyond category. Possessing clear eyes, a perceptive mien and a sharpshooters's gifts in regard to emotional aim, she often expresses more in a single breath than others ...

Alicia Olatuja: Intuition: Songs From The Minds Of Women

By ANGELO LEONARDI

È un tributo alla creatività delle donne in generale e delle cantautrici in particolare, questo di Alicia Olatuja, che interpreta composizioni di Tracy Chapman, Joni Mitchell, Violeta Parra, Sade Adu, Kate Bush e altre. Alicia ne aggiunge di proprie e partecipa come arrangiatrice in un progetto fortemente sentito e condiviso col produttore Kamau Kenyatta, ...

Christmas In My Soul

By MARY FOSTER CONKLIN

Includes more Christmas songs penned by women, with holiday recordings by Dave Stryker, Laila Biali, Jazz at Lincoln Center Orchestra with Wynton Marsalis, Rebecca Angel, plus new releases by Youn Sun Nah, Chloe Perrier, Fostina Dixon, and Elena Gilliam, with birthday shout outs to Bob Dorough, Sue Maskaleris, Diane Schuur, Sean Harkness, Edith Piaf, Camille Thurman ...

2019: The Year in Jazz

By KEN FRANCKLING

The year 2019 was robust in many ways. International Jazz Day brought its biggest stage to Australia. An important but long-shuttered jazz mecca was revived in a coast-to-coast move. ECM Records celebrated a golden year. The music and its makers figured prominently on the big screen. The National Endowment for the Arts welcomed four new NEA ...