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John Ellis & Double-Wide: Puppet Mischief
by Russ Musto
This second outing by John Ellis & Double Wide, the versatile saxophonist/bass clarinetist's extraordinary New Orleans-based band, one ups the “serious fun" mentality by inviting a pair of guests--harmonica master Gregoire Maret and multifaceted trombonist Alan Ferber--to augment the unusual quartet of sousaphonist Matt Perrine, drummer Jason Marsalis and newcomer Brian Coogan (replacing Gary Versace) on ...
John Ellis & Double-Wide: Puppet Mischief
by Chris May
Brooklyn-based saxophonist John Ellis is a player who, whenever he puts his horn in his mouth, makes it seem like retro-modern is the only show in town. His style is part classic soul and funk, part modern jam band groove and part freewheeling improvisation. He has a particular affinity with New Orleans roots music and also ...
Richard Bona: The Ten Shades of Blues
by David Miller
Widely known in jazz circles for his virtuosity on the bass, relatively little attention has been paid to Richard Bona's solo career. Pity, as his solo records are generally excellent. Bona's records have a style that can only be referred to as world music. Generally, that term is misused, but Bona truly takes his influences from ...
Melissa Walker: In The Middle Of It All
by Raul d'Gama Rose
If there was something similar to “method acting" in music and it were not so passé a word, then it would be tempting to suggest that Melissa Walker's In The Middle Of It All is such a master class. As it happens, the record is a lot more than that, hinting at griot traditions and as ...
Sean Jones: The Search Within
by Edward Blanco
With The Search Within, his fifth recording on Mack Avenue Records, Sean Jones continues the musical journey he first embarked on at the tender age of 24 with his 2004 debut, Eternal Journey. A trumpeter, composer and educator (Professor of Trumpet and Jazz Studies, Duquesne University), Jones is one of the finest young trumpeters in the ...
Stade: Freewheel
by Mark F. Turner
The relationship between electronics and acoustic instruments has evolved since Miles Davis' groundbreaking Bitches Brew (Columbia, 1969), with artists continuing to manipulate technologies within their current environments. These lines are becoming increasingly blurred on recordings such as Opsvik and Jennings' A Dream I Used To Remember (Loyal Label, 2009) and Humcrush's Rest at Worlds End (Rune ...
JJA's 13th Annual Jazz Awards - Join Us!
Mark your calendar! 13th Annual JJA Jazz Awards June 16, 2009 3:00-6:00pm at The Jazz Standard 116 E. 27th Street New York, NY Join us at the JJA's 13th Annual Jazz Awards as we... Announce our 2009 award winners (see nominees below) Honor winners and nominees ...
Sean Jones: The Search Within
by Mark F. Turner
No longer standing in the shadows of the greats, trumpeter Sean Jones has been coming into his own since his well received debut, Eternal Journey (Mack Avenue Records, 2004). His trajectory has coursed through four previous releases, exploring, maturing, and progressing into one of today's shining voices with The Search Within. Incorporating the ...
Tony Grey: Stepping out of the Shadows
by Ian Patterson
Since graduating from Berklee with honors in 2001, Tony Grey has earned a reputation as one of the most exciting bassists of his generation. His debut solo recording ...Moving (Self Produced, 2004) won enthusiastic reviews and revealed a musician gifted with a very strong sense of melody, and songwriting skills which drew from influences far beyond ...
London Jazz Festival 2008
by Frederick Bernas
London Jazz Festival 2008 London, England Nov. 14-23, 2008 Ken Vandermark, Barry Guy, Mark SandersThe VortexNovember 14 In a meticulously unplanned concert, the music often seemed like a sonic battle between these three renowned improvisers. Sporting a black fitted tee and a hairstyle that could be straight from the ...
