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Mickylee, John Stowell, Ulf Bandgren: Portuguese Blue
by Nenad Georgievski
Portuguese Blue is a record that joins the talents of three jazz guitarists, Mickylee, John Stowell, and Ulf Bandgren. It is one of those “guitar summit" recordings which combines the talents of exceptional guitarists and, as such, is an inviting document. Groups consisting of three guitarists are not unheard of in jazz music but they are ...
The Musician / Entrepreneur: Eddie Roberts
by B.D. Lenz
Throughout my Chats with Cats columns I've tried to seek out information and advice from professionals across the jazz spectrum to give musicians, like myself, the tools to forward their own careers. This is an unprecedented time where technology has put it all out there for the taking. I discuss all of this in my Mind ...
Steve Khan: Patchwork
by Rafael Vega Curry
Few artists have been as successful as Steve Khan in achieving a genuine blend of jazz and Latin sensibilities, rhythms and sonorities. In fact, it can be suggested that no one else has done what he has accomplished for the jazz guitar, offering both the extensions of what Wes Montgomery, Kenny Burrell and Grant Green did ...
Shawn Purcell: 180
by Jack Bowers
Guitarist Shawn Purcell's latest CD, 180, is all about swinging; Purcell's trio (Pat Bianchi on Hammond B3 organ, Jason Tiemann on drums) nestles squarely into the groove on the double-quick opener, “Cat and Mouse," which sets an upbeat tone for the album as a whole. The rhythm seldom flags on Purcell's sunny compositions ...
Various Artists: Blue Note Re:imagined II
by Chris May
The second instalment of Blue Note Re:imagined comprises sixteen revamps of tunes from the label's back catalogue, newly recorded by a cohort of rising British soul, R&B and, listed last here for a reason, jazz stars. On its own terms, it is a classy exercise, but the target market for this series is not traditional Blue ...
Herbie Hancock: An Essential Top Ten Albums
by Chris May
The title of Herbie Hancock's 1973 hit single “Chameleon," pulled from his jazz-funk monster Head Hunters (Columbia), was an apt one. Hancock had already undergone several transformations: from the blues-and-gospel-infused vibe of his Blue Note debut, Takin' Off (1962), to more experimentally inclined Blue Note albums in the mid-to-late 1960s, and on to his early 1970s ...
Horace Silver: His Only Mistake Was To Smile
by Chris May
In his sleeve note for the audio restored Horace Silver album Live New York Revisited (ezz-thetics, 2022), British writer Brian Morton cut to the chase. “[Silver]'s only mistake," he wrote, “was to smile while he was playing... a challenge to the notion that jazz should be deadly serious and played with a pained rictus."
Atis Andersons Organ Trio: Organic City
by Mark Corroto
With Hammond organ trios in the 21st century, everything old is new again, except in Latvia where Atis Andersons presents the very first Latvian Hammond organ trio recording in that country's history. Kudos to Andersons, guitarist Āris Ozols, and drummer Andris Buiķis, because Organic City fits perfectly into the traditions of soul, funk, and rock. Their ...
Steve Knight: Persistence
by Jack Bowers
Yet another guitar-led trio, this one by Kansas-born, Chicago-based Steve Knight who also writes in the manner of one of his role models, George Benson (Knight composed seven of the album's dozen numbers including two versions of “Sharps Disposal"). Although the recording's title refers in part to the eighteen months it took Knight to write the ...
Or Shovaly Plus Release 'Live at the New Orleans Jazz Museum' — Groove is at the heart of New Orleans-based guitarist’s debut EP
It almost doesn’t matter whether guitarist Or Shovaly is composing music, arranging music, playing music, thinking about music, or talking about music. One point remains: Groove is at the heart and the guiding star of Or Shovaly’s music, including and especially the debut recording of his band Or Shovaly Plus, Live at the New Orleans Jazz ...
