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Grammofon
Grammofon releases new single “Backwards” – the first
glimpse of the upcoming album Fabelagtige Forviklinger
The Danish jazz duo Grammofon, consisting of saxophonist Niels Oldin
and guitarist Jakob Frandsen, has just released their new single
“Backwards”, available now on all major streaming platforms. The single
offers a first taste of their upcoming album Fabelagtige Forviklinger – a
collection of timeless jazz compositions at the intersection of tradition and
modernity.
The two musicians met back in 1996 while studying at the Royal
Conservatoire in The Hague. After returning to Denmark, they taught at
the same folk high school on the small island of Ærø, shared an
apartment in Copenhagen, and later moved out of the city around the
same time to settle with their families. Over more than two decades of
close musical collaboration, they have developed a remarkable musical
connection and an intuitive interplay. The result is warm melodies, playful
improvisation, and an inviting, outward-facing tonal language.
“Backwards is an honest and atmospheric piece of music
into which we have both poured our hearts and
energy,” say Niels Oldin and Jakob Frandsen.
Melodic energy and poetic lightness
Fabelagtige Forviklinger draws inspiration from bossa nova and tango,
blending complex melodies with a playful and welcoming tonal landscape.
These are wordless songs where guitar and saxophone create a sensual,
melodic universe with space for reflection, presence, and musical depth.
The album is a true collaboration, where composition and improvisation
go hand in hand. Solos rarely take center stage but instead serve the
shared musical narrative.
Personnel on the album:
• Niels Oldin – saxophone
New Music From Brennan, Borgatti, Hilton, Threadgill & More
by Bob Osborne
This episode features music from Latin America, North America, Europe, and the Mediterranean region. It begins with rhythmically driven Latin jazz and piano-led ensemble work, followed by experimental compositions using layered electronics, extended techniques, and non-standard forms. Midway, the programme includes modal structures, bowed string textures, and vibraphone-led chamber jazz. The final third presents free improvisation, ...
