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A Madman’s Approach To Music And Why Can't Music Be Like A Tree?
by Duncan Heining
"Art alone makes life possible." --Joseph Beuys. The Glasgow Improvisers' Orchestra is unique. It's an over-used word, I know, but in this case fully justified. GIO are unique in so many ways--in the way they formed, the way they make decisions, in their make-up, how they work and most importantly how they sound. They ...
Take Five UK 2015
by Ian Patterson
Take Five UK Edition X Bore Place Kent, England February 9 -14, 2015 Nestled in the heart of the Kent countryside is Bore Place, an organic farm that dates to the seventeenth century. Here, the mobile phone signal is unreliable and internet connection is dickey at best. The only sound ...
Joe Harriott Quintet: Abstract/Southern Horizons/Free Form
by Duncan Heining
Swing Low, Sweet Harriott I don't think Joe Harriott's entire catalogue has ever been available at one time. Even in his heyday in the sixties, much of the 1950s material was unavailable. From the seventies onwards, things got really dire. Now that so much is out of copyright, Harriott's work is increasingly being reissued ...
Gilgamesh: Another Fine Tune You've Got Me Into
by John Kelman
Gilgamesh Another Fine Tune You've Got Me Into Charly 1978 Today's Rediscovery pays tribute to a musician who has been dead for over 30 years but whose brief body of work remains a seminal part of the British Canterbury scene that included groups like Soft Machine, Caravan and Hatfield and The ...
Graham Collier: Luminosity
Label: Jazzcontinuum
Released: 2014
Track listing: Tracks: The Blue Suite: Kind of Sketchy/Kind of So What/Kind of Green/All Kinds/Kind of Sketchy/Kind of Green/Kind of Freddie/Kind of So What/All Kinds/Kind of Sketchy.
Luminosity: Orchestral Dominances (in)/Yellow Hymn/Above Deep Water/ Orchestral Dominances/Jardin D’Amour/Blue Monolith/ Orchestral Dominances.
MoFrancesco Quintetto: Piedra Solar
by Roger Farbey
The instantly engaging “Ala'Ad-Din" opens this 70 minute set, the second album by this talented Lisbon-based group. A bass and piano riff confidently introduces “Abraxas" with unison horns taking up the main theme, leader Francesco Valente's electric bass to the fore and Brazilian guest percussionist Marcos Suzano playing pandeiro to great effect. Aline Frazão's ...
Graham Collier: Luminosity
by Duncan Heining
A new work, posthumously released and recorded--how many of those can there have been in jazz? Luminosity features two late works by composer Graham Collier brought to realisation through the efforts of his partner, author John Gill and conductor Geoff Warren. To say this record is a fine valediction is a statement infused with regret. These ...
Geoff Warren: The Quartet Album
by Duncan Heining
Flautist Geoff Warren has had an intriguing career that has taken in jazz, dance and world music. He has worked with British composer Graham Collier, pianist Roger Dean's group Lysis and even with British dance music bands Heaven 17 and Southern Freeez. Warren recently dropped the alto sax to concentrate his energies on flute and alto ...
Bathed In Lightning: John McLaughlin, the 60s and the Emerald Beyond by Colin Harper
by Colin Harper
Exclusive extract adapted from Bathed In Lightning: John McLaughlin, the 60s and the Emerald Beyond By Colin Harper. Published (UK and US) March 26, 2014 by Jawbone Press “British jazz is awash with young talent which, given a healthy set of circumstances and a fair share of work, could produce a generation of ...
Charlotte Glasson: Festivus
by Roger Farbey
This exceptional album succeeds on several levels. First there's Glasson herself, an undeniably, prodigiously talented multi- instrumentalist whose diverse armamentarium would successfully rival that of Rahsaan Roland Kirk's, maybe substituting his stritch for her saw. The nine tracks here all benefit from Glasson's imaginative arrangements for which the word “quirky" would be hardly adequate. ...
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