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Results for "Glenn Zaleski"
Michael Dease: Decisions
by Dan Bilawsky
When it comes to decision-making, not everything is black and white or right and wrong. On occasion there are multiple paths that can be seen as the correct choice, and trombonist Michael Dease truly understands that. Dease came to a significant fork in life's road when he found himself in a position to decide whether to ...
Glenn Zaleski: My Ideal
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by Dan McClenaghan
Pianist Glenn Zaleski had a couple of classic 1959 Bill Evans touchstones on his mind-- Everybody Digs Bill Evans (Riverside Records) and Portrait in Jazz (Riverside Records)--when he recorded his debut, My Ideal, setting his own piano trio table with a batch of time-tested Standards along with a couple of originals from composer friends of his. ...
Nick Finzer: The Chase
by Mark Sullivan
Trombonist Nick Finzer distinguishes himself as horn player, composer, and bandleader on this exciting sextet date. It's upbeat modern jazz just about all the way, aided by creative arranging. This is bop-based music, but Finzer avoids the trap of having all of the tunes follow the same head-solos-head format. There's plenty of solo space, but not ...
Nick Finzer: The Chase
by Bruce Lindsay
The trombone's gone through a few good times and a few bad times as a front-line jazz instrument. Thankfully, for all lovers of this particular horn, these times are good times. Nick Finzer is one of the players responsible, a trombonist and writer with flair and variety. The Chase, his second album, helps to ensure that ...
Isaac Darche: Team & Variations
by Dan Bilawsky
While guitarist Isaac Darche is clearly a fan of punny titles, his music is no joke. On Team & Variations--the follow-up to the California-bred, New York-based guitarist's debut, Boom-Baptism (BJU Records, 2012)--Darche digs deep, delivering five stimulating originals and three classics that focus in on his dexterous finger work, tight arrangements, and kinship with his contemporaries. ...
Tomoko Omura: Roots
by Ian Patterson
The roots of the title of violinist Tomoko Omura's second CD as leader refer to traditional and popular melodies familiar to several generations of Japanese. But if the melodies of Omura's childhood have left an indelible stamp on her musical DNA, so too has the past decade spent in America absorbing the roots of jazz. It's ...
Lucas Pino: No Net Nonet
by Jack Bowers
So there is hope after all. With so much jazz these days soaring into realms that are often uncharted and at times unfathomable, it is a pleasure to hear groups such as tenor saxophonist Lucas Pino's No Net Nonet, which are remarkably creative even as they adhere to the basic precepts of melody, harmony and rhythm. ...
Tomoko Omura: Roots
by Dan Bilawsky
Japanese violinist Tomoko Omura may be ten years into a stay in the United States, but Roots clearly demonstrates that she hasn't forgotten or forsaken her homeland. Omura left Japan and relocated to the United States in 2004, eager and ready to study at Boston's Berklee College of Music. Shortly after graduating in ...
Zbigniew Seifert International Jazz Violin Competition
by Ian Patterson
1st Zbigniew Seifert International Jazz Violin Competition Krzysztof Penderecki European Centre for Music Luslawice/Krakow Poland July 16-19, 2014 He was one of the great jazz virtuosos, right up there some would say with Django Reinhardt, Art Tatum and Charlie Parker. Most frequently, however, he was compared to John ...
Nicky Schrire: On Songs, Spaces And Places
by Dan Bilawsky
What defines power? That's a tough question to answer in general, and an even harder one to figure out when it comes to the world of music. For in music, a whisper may carry greater weight than a roar, an honest gesture can outdo a demonstration of brute strength and technique, and a direct message to ...
