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81

Article: Album Review

Kanno - Poll - Pett - Shorr - MacDonald: Free Radicals

Read "Free Radicals" reviewed by Glenn Astarita


Here we have acoustic-electric instantaneous compositions --largely about nature --that defy the norms. Recorded live at a venue in Scotland the respective musicians are artistic, music and improvising professors from the Estonian Academy of Music and Theater and the Royal Conservatoire of Scotland. And after hearing this album, I'd imagine the professors bring a lot to ...

86

Article: Album Review

Angelica Sanchez: Float The Edge

Read "Float The Edge" reviewed by Glenn Astarita


Here, New York City-based pianist Angelica Sanchez employs the herculean rhythm section of Michael Formanek (bass) and Tyshawn Sorey (drums) and is the follow-up to her duet outing with renowned trumpeter, composer Wadada Leo Smith, Twine Forest (Clean Feed, 2014). Sanchez can be quite cerebral and is irrefutably focused while also showing a penchant ...

72

Article: Album Review

Amok Amor: We Know Not What We Do

Read "We Know Not What We Do" reviewed by Glenn Astarita


When these gents run amok it's largely controlled, spiced with massive quantities of mind-bending narratives, crazily executed pulses and split-second paradigm shifts. You can also think of a welterweight boxer landing rapid flurries, stinging uppercuts and roundhouse knockout blows as they punch out these works with the greatest of ease, shaded with ominous intentions.

70

Article: Album Review

Daunik Lazro: Garden(s)

Read "Garden(s)" reviewed by Glenn Astarita


This progressive French trio features musicians who have respectively been at the forefront of Euro improvisational circles, partaking in numerous small and large ensemble formats. The synergy and inventive concepts many of us would anticipate is wholly inherent here, as the band covers Duke Ellington, Albert Ayler and John Coltrane bordering three group composed pieces “Garden(s) ...

70

Article: Album Review

The Beat Freaks: Leon

Read "Leon" reviewed by Glenn Astarita


Based in Poland, guitarist Michał Starkiewicz founded this band in 2014, followed by successful concert tours and of course, this album that presents a modicum of youthful vim and vigor, largely within the progressive jazz schema amid a few slight nods to jazz fusion. Moreover, the musicians dedicate the album to a mythical figure Leon Kokaiewicz, ...

47

Article: Album Review

Trio Heinz Herbert: The Willisau Concert

Read "The Willisau Concert" reviewed by Glenn Astarita


Youthful ingenuity and meritorious technical aspects mark this Swiss trio's cunning live release at a Willisau venue, enhanced by a crystalline soundstage that spawns great depth amid the highs and lows. Moreover, their ability to multitask while generating a polytonal consortium of EFX-based treatments, while effortlessly sliding across numerous genres makes for a irrefutably compelling listen. ...

53

Article: Album Review

Shane Theriot: Still Motion

Read "Still Motion" reviewed by Glenn Astarita


Hailing from New Orleans, guitarist and producer Shane Theriot is a solo artist and upper-echelon session ace amid his stints with Hall & Oates, Ben Folds, and the Neville Brothers as the list goes on. Indeed, he has that soul-funk New Orleans vibe going on. But Theriot's far-ranging capabilities include jazz and blues, yet more importantly, ...

44

Article: Album Review

Noah Kaplan Quartet: Cluster Swerve

Read "Cluster Swerve" reviewed by Glenn Astarita


Saxophonist Noah Kaplan's second album for the Switzerland-based hatOLOGY label equates to a six-year gap, following his debut, Descendants (2011). But the artist has been productive by pushing the envelope via his multi-purposed activities with various ensembles amid his status as a PhD candidate in Music Composition at prestigious Princeton University. He skirts the free-zone here, ...

34

Article: Album Review

Tim Blake: Crystal Machine

Read "Crystal Machine" reviewed by Glenn Astarita


British synthesizer ace Tim Blake was the artist who created all those bizarre and textured synth sounds for prog rock acolytes, Gong from 1972-1975. He later joined legendary space rock band Hawkwind in 1979 for a spell, but connected with French lighting stylist Patrice Warrener to develop Crystal Machine, which of course, is the title of ...

20

Article: Album Review

Oberg / Mahall / Griener: Lacy Pool_2

Read "Lacy Pool_2" reviewed by Glenn Astarita


Pianist Uwe Oberg didn't follow a straight and narrow path when putting together this formidable European trio. There is no bassist, and Rudi Mahall performs solely on clarinets, as most listeners would expect a soprano saxophone to be the mainstay of any band that pays homage to the late, modern-era jazz pioneer Steve Lacy. More importantly, ...


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