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Minton - Butcher - Robair: Blasphemious Fragments
by John Eyles
Studio-recorded in London in July 2017, Blasphemious Fragments brings together an appealing improvising trio comprising vocalist Phil Minton, saxophonist John Butcher and percussionist Gino Robair. For Butcher, the trio reacquaints him with players he has known for decades; he and Minton recorded Two Concerts (FMP) together as far back as 1995, in a trio with German ...
June Birthdays Featuring Reginald Workman, NEA Jazz Master
by Marc Cohn
June jazz birthdays! Our featured honoree is bassist Reggie Workman, 82 years young, who got a fine birthday present: a 2020 National Endowment for the Arts Jazz Masters Award. So, we have three tracks from his own recordings, which may surprise you. One features Andrew Hill and Julian Priester. Other birthday honors include Marcus Belgrave (Horace ...
John Butcher
by John Eyles
In the Building a Jazz Library article on Evan Parker, it says that seasoned Parker followers would describe him as the finest improvising saxophonist of his generation. Curiously, many of those same people would use exactly that phrase about John Butcher. The simple explanation for this apparent contradiction is that we are talking about two generations; ...
Rova Orkestrova: No Favorites!
by Troy Collins
Ever since its formation in 1977, Rova, the pioneering West Coast saxophone quartet, has been augmenting its ranks to explore structured improvisation. No Favorites! pays homage to Lawrence D. “Butch" Morris, the inventor of Conduction, a revolutionary system for organizing large-ensemble improvisation using coded gestures. This ambitious album epitomizes a working relationship that Rova began with ...
Massimo Discepoli/Daniel Barbiero: An Eclipse Of Images
by Mark Corroto
For the jazz listener, operating outside the canon can be a daunting experience. Once you dig 4/4 time, syncopation, swing, cool jazz and hard bop, it is difficult to appreciate other genres. Pop is formulaic and overproduced, and classical, too rigid. Electronics, fahgettaboudit. Machines cannot replace the human capability for improvisation. True, but what if there ...
Catching up with John Butcher at 60
by John Eyles
In November 2014, saxophonist John Butcher celebrated his sixtieth birthday over two evenings at Cafe Oto, London, in the company of musicians including Gino Robair, Tony Buck, Magda Mayas, dieb13, Olie Brice, Guillaume Viltard, Adam Bohman and Ute Kanngiesser, with Butcher playing both solo and in various small groupings. At those gigs, he demonstrated all the ...
Natural Artefacts: California Connection
by Glenn Astarita
Keyboardist Susanna Lindeborg and her Swedish band-mates form a bond with San Francisco Bay Area musicians, percussionist and electronics performer Gino Robair and electronics denizen Tim Perkis on this venturesome set recorded live at UC Berkeley and in the studio. As the Natural Artefacts band originated when Lindeborg and her longtime musical partner, saxophonist Ove Johansson ...
A Madman’s Approach To Music And Why Can't Music Be Like A Tree?
by Duncan Heining
"Art alone makes life possible." --Joseph Beuys. The Glasgow Improvisers' Orchestra is unique. It's an over-used word, I know, but in this case fully justified. GIO are unique in so many ways--in the way they formed, the way they make decisions, in their make-up, how they work and most importantly how they sound. They ...
Andrew Raffo Dewar: Interactions Quartet
by Eyal Hareuveni
Composer, ethnomusicologist, educator and saxophonist Andrew Raffo Dewar studied and worked with some of the most forward-thinking and innovative musicians and composers such as Steve Lacy, Anthony Braxton, Bill Dixon and Alvin Lucier. So it is only natural that his work expands on their compositional ideas and focuses on invented forms, experimenting with new sounds and ...
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