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Ginger Baker
Born:
Peter Edward 'Ginger' Baker found his way into the Rock 'n' Roll Hall of Fame by playing the drums with a degree of proficiency and expression matched by few others. He first gained fame in the late 1960s with Eric Clapton and Jack Bruce as Cream, a now-legendary band that infused blues and jazz into rock and roll, producing an original and deeply textured sound. In its two-year existence, the English trio sold over 15 million records and played to adoring crowds and critical acclaim. Baker had much to do with the band's success—and likewise much to do with the band's demise. Baker began as an aspiring jazzman and found himself a rock demigod. His brisk, purely businesslike approach caused him problems with his fellow musicians, and drug dependency cast a dark shadow over his career and his relationships.
Fela Kuti & The Africa 70, Takuya Kuroda, Redtenbacher’s Funkestra, Allexa Nava, John Beltran & More
by Tony Poole
One hour of nothing but the freshest new releases and pre-releases. Join Tony Poole for the freshest worldwide jazz grooves from across the globe. Playlist Fela Kuti and The Africa '70 “Let's Start" from Live with Ginger Baker, 1971 (Knitting Factory Records) Christelle Durandy “We Were Born To Drum" from Salsa de la Bahia ...
The Concert of Europe
Label: Bardo Records
Released: 2023
Track listing: Moon Suite P.1; Moon Suite P. 2; Moon Suite P. 3; Zakir; African Genesis; Ashhark; Tim Hunt.
The Most Exciting Jazz Albums Since 1969: 1998-2000
by Robert Middleton
The recurring theme in the fifth installment of 72 Jazz Thrillers is Middle Eastern music represented by John Zorn's Bar Kokhba Sextet, Either/Orchestra's Ethiopian Suite, and Mark Gross's Riddle of the Sphinx. Middle Eastern music often features complex rhythmic patterns, such as compound time signatures and intricate polyrhythms. Jazz musicians have drawn inspiration from these rhythms, ...
Jonas Hellborg: The Concert of Europe
by John Eyles
Swedish bass guitarist Jonas Hellborg has the knack of being in the right place at the right time when it comes to meeting reputed musicians; in 1981, after he played solo bass at the Montreux Jazz festival in Switzerland, he was introduced to guitarist John McLaughlin and other fusion stars. He was soon asked to join ...
Bill Frisell Interview: The Textural Minimalist Redefines American Music
by Mike Brannon
This article was first published at All About Jazz on March 2001. It's safe to say, the great American composer/improviser has a new face. Formerly more likely to have been two different people, one committed to the quiet focused existence of composition at a piano while the other roaming the stages of the world, ...
Fela Kuti: Army Arrangement
by Chris May
Fela only occasionally used outside producers on his albums. Mostly, the results were good: EMI producer Jeff Jarratt's Afrodisiac (EMI, 1973), British dub master Dennis Bovell's Live In Amsterdam (Polygram, 1983) and keyboard player Wally Badarou's exceptional Teacher Don't Teach Me Nonsense (Philips, 1986). But on one occasion it was spectacularly bad: avant-funk bassist Bill Laswell's ...
Elvin Jones: Revival: Live At Pookie’s Pub
by Chris May
A welcome addition to Elvin Jones' catalogue, the previously unissued 2 x CD / 4 x LP Revival: Live At Pookie's Pub was recorded in New York in July 1967. The gig was just two weeks after the passing of John Coltrane, with whom Jones had played from 1960 to 1966. Jones' quartet includes the gritty ...
Charlie’s Good Tonight: The Life, the Times, and the Rolling Stones: The Authorized Biography of Charlie Watts
by Doug Collette
Charlie's Good Tonight: The Life, the Times, and the Rolling Stones: The Authorized Biography of Charlie Watts Paul Sexton 368 Pages ISBN: # 978-0063276581 Harper Collins 2022 The infectious sing-song quality of Paul Sexton's prose for the biography of the late Charlie Watts may well surprise those music lovers ...
Joe Harriott: Swings High
by Chris May
Like many players who are primarily thought of as “experimental" and/or “free form"—and virtually all of the best of them--the Jamaican-born, later London-based alto saxophonist Joe Harriott was also a master of straight four/four jazz and Great American Songbook balladry. Yet in 2022, Harriott (1928-1973) is almost exclusively remembered either for his adventures in Indo-jazz fusion ...
