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Ginger Baker

Peter Edward 'Ginger' Baker found his way into the Rock 'n' Roll Hall of Fame by playing the drums with a degree of proficiency and expression matched by few others. He first gained fame in the late 1960s with Eric Clapton and Jack Bruce as Cream, a now-legendary band that infused blues and jazz into rock and roll, producing an original and deeply textured sound. In its two-year existence, the English trio sold over 15 million records and played to adoring crowds and critical acclaim. Baker had much to do with the band's success—and likewise much to do with the band's demise.

Baker began as an aspiring jazzman and found himself a rock demigod. His brisk, purely businesslike approach caused him problems with his fellow musicians, and drug dependency cast a dark shadow over his career and his relationships. But since the late 1980s, the 50-year-old-plus father of three has straightened out his personal life, rekindled his interest in jazz, and enjoyed several successful solo and ensemble projects.

Born the son of a bricklayer, Baker dreamed as a youth of athletic rather than musical greatness. At the age of 15, he was a champion cyclist, winning a club title and courting aspirations of further success. But music eventually captured his attention. His first instrument, the trumpet, was soon replaced by a pair of drumsticks. Early on, Baker hoped to become a jazz drummer, playing on London's traditional jazz scene in the late 1950s and early 1960s.

Baker's after-school hours were spent jamming with noted jazz musicians Acker Bilk and Terry Lightfoot, as well as sitting in with several others. The bebop sound was his early focus. "When I was at school, I was listening to Max Roach, Philly Joe Jones, Art Blakely, Elvin Jones. Then I was in a trad jazz band, and they wanted me to play the Baby Dodds parts, so they gave me all these records to listen to. That was a complete revolution to me, 'cause all of a sudden you can see where Max and these guys came from. That had an enormous effect, which still comes out," Baker told Musician.

Baker's early experience with bebop and traditional jazz honed his technique and helped him acquire an impeccable sense of rhythm. His energetic phrasing makes him more than a timekeeper, giving him more creative impact than many drummers—jazz or otherwise. He told Down Beat, "When Philly Joe Jones heard me play in London, he came up to me and said, 'Man, you really tell a story when you play.' That's the biggest compliment I've ever had, because I loved Philly Joe Jones. Playing drums is the same as playing a horn. You're saying something musically."

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Album Discography

Recordings: As Leader | As Sideperson

Trio, Quartet &...



Goodbye Tour Live 1968

Universal Music Group



Motéma Music


The African Force

ITM Records


Beware Mr. Baker

ITM Records


Live In London 2009

ITM Records




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