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Kenny Burrell: Every Note Swings
by Chris M. Slawecki
Kenny Burrell has appeared on so many essential jazz recordings that jazz history and his story seem irretrievably intertwined. Billie Holiday's valedictory rumination Lady Sings the Blues (Verve, 1956)? Jimmy Smith's epochal funk throwdown Back at the Chicken Shack (Blue Note, 1960)? Tony Bennett's Carnegie Hall debut? Kenny Burrell played guitar for them all. Even Jimi ...
Bob Brookmeyer: Jack of All Trades, Master of Valves
by Jack Bowers
Bob Brookmeyer, a Renaissance man among jazz musicians who died December 15, 2011, four days before his eighty-second birthday, will be remembered as many things: composer, arranger, musician, educator, outspoken arbiter who brooked no nonsense and wasn't shy about letting others know when he believed they were not giving the music he loved the best they ...
Sandy Evans: When the Sky Cries Rainbows
by Ian Patterson
The multifaceted Sandy Evans is often described as one of Australia's finest jazz musicians and composers. True enough, but as When the Sky Cries Rainbows amply demonstrates, this saxophonist surely ranks as one of the best contemporary jazz composers/musicians anywhere. A musical response to her husband, clarinetist Tony Gorman's multiple sclerosis, this sixty-minute, suite-like work conveys ...
Sony Music's Popmarket.com Releases Complete Albums Collections By Jazz Masters Stanley Clarke & George Duke
Stanley Clarke—The Complete 1970s Epic Albums Collection and The George Duke Band—The Complete 1970s Epic Albums Collection Both titles available for pre-order at Popmarket.com in advance of January 24, 2012, release date The Ultimate Jazz Festival continues as Sony Music's PopMarket.com presents Complete Albums Collections from the Epic Records archives by two of the greatest names ...
Miles Davis: 1986-1991 The Warner Years
by Jeff Dayton-Johnson
Warner Bros. was trumpeter Miles Davis's last record company, and the five years covered by the five-disc collection entitled 1986-1991 The Warner Years, pale in comparison to the 30-year, 70-disc box set of Davis' complete recordings for Columbia Records, released in 2009. So the quantity is far lower: how does the quality compare?Davis' detractors ...
An interview with New York-based saxophonist Mark Lopeman
It's fitting that the cover of saxophonist Mark Lopeman's latest album, Nice Work If You Can Get It, is a watercolor portrait from his daughter Rosie. After all, Lopeman approaches his instrument like a painter himself, utterly spellbinding in his ability to illustrate various moods from the unbridled joy of “My Reverie" to the warm caress ...
Enrico Rava: To Be Free or Not To Be Free
by Ian Patterson
Freedom, it could be argued, is most deeply understood by those who have been somehow constrained against their will, or who have been prisoners of their own skewed vision of what it means to be free. Trumpeter Enrico Rava knows the meaning of musical freedom; he was part of the free-jazz scene of the 1960s and ...
Superbrass: Under the Spell of Spain
by Nicholas F. Mondello
Duke Ellington is quoted anecdotally as saying there are only two kinds of music--good and bad. It's quite possible that, after experiencing Under the Spell of Spain, there might be yet another category--music magnificently defying description. Rest assured Superbrass' disc is very good; however, while it is not an entirely jazz-focused effort--leaning heavily on the orchestral ...
SuperSax Me
by Jack Bowers
Back in the early 1970s bassist Buddy Clark and saxophonist Med Flory conceived a brilliant idea: to form a group (primarily a reed section with rhythm) that would use orchestrated arrangements of saxophonist Charlie Parker's transcendent bop solos as the basis for its music. As for a name, nothing less than SuperSax would suffice. The nine-piece ...
Jan Johansson: In Hamburg with Georg Riedel
by Ian Patterson
Jan JohanssonIn Hamburg with Georg RiedelACT Music2011 The small number of posthumous releases in the 42 years since the death of Swedish jazz pianist/composer Jan Johansson at the age of 37 remains something of a mystery. Johansson--who pianist Esbjorn Svensson described as being “a very, very big influence“--has ...
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