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John Scofield: Peaceful Pursuits
by John Kelman
Sometimes a recording comes together easily, with a minimum of muss or fuss. Other times, life seems to conspire against it, but that doesn't necessarily mean it doesn't get done, or that it suffers as a result. Sometimes, in fact, it can make the end result even better. For John Scofield-- one-third of a power trifecta ...
The Tierney Sutton Band: American Road
by C. Michael Bailey
The Tierney Sutton BandAmerican RoadBFM Jazz2011 Solidly innovative and a forward-thinker in jazz vocals arena over the past 15 years, Tierney Sutton has constantly looked backwards while forging a future path that has influenced the likes of Laurie Antonioli and Gretchen Parlato, among many other noted contemporary ...
SFJAZZ Collective: Live in New York Season 8 - Music of Stevie Wonder
by John Kelman
SFJAZZ Collective Live in New York Season 8: Music of Stevie Wonder SFJAZZ 2011 One old adage says, “If it ain't broke, don't fix it." But another says, “Change is good." For the first time in its eight touring seasons, the SFJAZZ Collective has found a way to manage ...
Roswell Rudd: The Musical Magus Turns 75
by Raul d'Gama Rose
"Years ago it would have seemed an impossible dream to get to record with this musical magus, but here we are... and what a thrill!" class="f-right">--Charlie Kohlhase, From liner notes to Eventuality: The Charlie Kohlhase Quintet Plays the Music of Roswell Rudd (Nada, 2001) I see him suddenly as if in a ...
Jackie Cain & Roy Kral: A Wilder Alias
by Chris May
Jackie Cain & Roy KralA Wilder AliasCTI Masterworks2011 (1974) Producer Creed Taylor's 1970s' label, CTI, has had a controversial history. Some of its detractors, averse to the lush sound and embrace of fusion, have been reluctant even to recognize CTI as a jazz label. The New Grove ...
Modern Jazz Quartet: The Complete Atlantic Studio Recordings 1956-64
by Eugene Holley, Jr.
The Modern Jazz Quartet The Complete Atlantic Studio Recordings of The Modern Jazz Quartet 1956-64 Mosaic Records 2011 They were diverse in talent and temperament. John Lewis, the quiet and determined westerner, who told sound stories with his linear and logical blues-based pianisms; Milt “Bags" Jackson, the baggy eyed, Motor ...
Miles Davis: Live at Montreux - Highlights 1973-1991
by John Kelman
Miles DavisLive at Montreux--Highlights 1973-1991 Eagle Eye Media2011 When Miles Davis plugged in towards the end of the 1960s, it may have been a huge shot fired across the bow of the jazz intelligentsia, who loudly cried foul and began the first of many accusations of “selling ...
Ryan Truesdell: The Gil Evans Project
by Victor L. Schermer
Imagine the commotion when previously unknown manuscripts of Beethoven or Bach were discovered. In the jazz world, the equivalent of such an event might occur with regard to the music of innovators like Duke Ellington or Gil Evans. Indeed, that is exactly what composer-arranger-conductor-producer Ryan Truesdell has uncovered with Evans' music. He researched and found a ...
Take Five With Paul Lieberman
by AAJ Staff
Meet Paul Lieberman: After a session at Mickey Hart's, Gil Evans noted to Airto Moreira: “everything he plays sounds right," and David Sanborn responded to a show in New York with a surprise kiss. Saxophonist and flutist Paul Lieberman's 2011 CD ibeji features a number of legendary musicians: Rufus Reid and Nilson Matta on ...
CrossCurrent 3: A Cry for Cultural Development
by Gian Paolo Galasi
CrossCurrent Festival 3: Press Conference Piazza Loggia, Café Aquarium Brescia, Italy June 21, 2011 This space may not be the most fitting for an extended cultural/sociological analysis of how artistic expression and economical acknowledgment feeds each other, but there are events that can be taken as a good starting point for ...
