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Article: Big Band Report

Caution: Brief Column Ahead...

by Jack Bowers
June 4, 2012

This may be one of the shortest columns I've written in fourteen-plus years at All About Jazz. The fact is, not much has happened this month in our little corner of big band jazz, and there is almost nothing to report. About all we can do is look forward to events on the horizon: Jazz Under ...

News: Award / Grant

Kenny Barron and Ron Carter Awarded for Lifetime Contributions to Jazz

June 1, 2012

The DC Jazz Festival (DCJF) will present its annual Lifetime Achievement Award to two of the world’s most renowned jazz artists, Kenny Barron and Ron Carter, at its 8th annual Festival, held June 1-10. Each year the DCJF honors jazz greats for their indelible lifetime contributions to jazz and humanity. Past awardees include Jimmy Heath, Eddie ...

Article: Album Review

Eddie Gomez: Per Sempre

Read "Per Sempre" reviewed by Dan McClenaghan

by Dan McClenaghan
May 31, 2012

Taken as a cohesive statement--a one-hour piece of art in a world of downloads and diminishing attention spans--bassist Eddie Gomez's Per Sempre stands out, with the minor and enviable disadvantage of opening with the set's loveliest tune, “Arianna." Good news/good news: the rest of this superb outing is just a notch--a small one--below that level of ...

Article: Under the Radar

Don Redman: Setting the Template

by Jim Gerard
May 29, 2012

As someone who came to jazz as a young man in the 1970s, I can attest that subsequent generations of both its chroniclers and, even sadder, its practitioners, have succumbed to the peculiarly and regrettable American disease of a-historicism. They've shoved jazz history through a sieve, reducing it from an epic tale of heroic ...

Article: Album Review

Guillermo Klein y Los Guachos: Carrera

Read "Carrera" reviewed by Raul d'Gama Rose

by Raul d'Gama Rose
May 28, 2012

In his first recording since the magnificent arrangements of music of by Cuchi Leguizamon, Domador de Huellas (Sunnyside 2010), pianist Guillermo Klein has reassembled his main musical vehicle, Los Guachos, for Carrera. Here, Klein once again shows why he is such a master of manipulating the voices of the instruments he uses, bringing out subtle variations ...

Article: Multiple Reviews

Siobhan Lamb: The Nightingale And The Rose / Meditations

by Chris Mosey
May 25, 2012

Experiments blending jazz with choral music are few and far between. Perhaps with good reason. Classical composer and flautist Siobhan Lamb and her husband, Gerard Presencer, the English jazz trumpeter, nonetheless accepted the challenge. Lamb's suite, “Meditations," was premiered at the 2007 London Jazz Festival, where it received rave reviews. The Guardian called ...

News: Interview

Putting Gil Evans in His Place

May 21, 2012

Gil Evans was a slow arranger. He tended to agonize over charts—at times missing deadlines as he pushed to make bigger impressionistic statements, set off more romantic contrasts or simply wound up entangled in revisions. In some cases, his focus on the music overshadowed the need to keep an eye on the clock. Hal McKusick's and ...

News: Interview

Gil Evans at 100

May 14, 2012

Gil Evans, who enriched the art and craft of jazz arranging, was born 100 years ago today. National Public Radio this morning ended one of its hours on Weekend Edition Sunday with a remembrance of Evans and his work. To listen to it, go here and click on “Listen Now.” Here are three pieces arranged by ...

News: Performance / Tour

Producer/Conductor Ryan Truesdell Releases "Centennial: Newly Discovered Works Of Gil Evans" May 17-20 At Jazz Standard

May 8, 2012

Join producer/conductor Ryan Truesdell as he celebrates the release of his debut CD CENTENNIAL: Newly Discovered Works of Gil Evans at the Jazz Standard, 116 E. 27th Street, NYC for four nights: Thursday, May 17 – Sunday, May 20. Sets at 7:30 and 9:30 every night, with an 11:30 set on Friday and Saturday. Tickets are ...

Article: What is Jazz?

The Beginnings of Free Form

by Sammy Stein
May 4, 2012

"Free form" is a term used to encompass a whole genre--or genres--outside mainstream jazz. Jazz has its roots in spiritual music, Dixieland, New Orleans, blues and ragtime, and after the 1940s these became fused into a catch-all assignation of genre. Jazz took on a predictability that was largely influenced not by the limitations of the players, ...