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What's the Concept?
by Patrick Burnette
Can jazz have “concept albums?" Probably not, but some records do work harder at sustaining a mood--or a sense of narrative--than others. The boys look at five test cases--one brand new, two from that prime year 1969, and two from the transition from the eighties to the nineties. Madge gets a look in during pop matters, ...
Steve Wilson at the Jazz Room
by Mark Sullivan
Steve Wilson The Jazz Room Charlotte, NC June 21, 2019 Saxophonist Steve Wilson has an extensive discography. In addition to his recordings as a leader, he has played with such jazz musicians as pianist Chick Corea, saxophonist Michael Brecker, bassist Dave Holland, big band arranger Gerald Wilson, and saxophonist Joe Henderson. ...
Horace Tapscott with the Pan Afrikan Peoples Arkestra: Live at I.C.U.U.
by Karl Ackermann
Twenty years after his death, pianist-composer Horace Tapscott is receiving the accolades that largely passed him by at the peak of his career. Firmly ensconced in the Los Angeles jazz scene, his recording career as a leader began in 1969 when his quintet released The Giant Is Awakened (Flying Dutchman). Aiee! The Phantom (Arabesque, 1996) was ...
Women in Jazz, Pt. 2: The Girls From Piney Woods
by Karl Ackermann
In Part 1 of Women in Jazz we looked at the historical position of women in early jazz. Despite their influence in shaping the art, their talent as composers, arrangers, instrumentalists, and band leaders, women have often been token additions; marginalized window dressing in a male-dominated world. One hundred years after Lil Hardin held ...
2018: The Year in Jazz
by Ken Franckling
The year 2018 was a busy one for the jazz world. The genre's version of the #MeToo movement resulted in a new Code of Conduct and other efforts to make the music workplace more equitable. International Jazz Day brought its biggest stage to St. Petersburg, Russia. The Thelonious Monk Institute of Jazz, which ran a high-profile ...
Randy Weston: Brooklyn, Africa e ritorno
by Ludovico Granvassu
Per ricordare il grande pianista statunitense, riproponiamo un'intervista del 1999 che ripercorre la sua vita e la sua carriera, dalla nascita a Brooklyn agli anni passati in Africa fino alla consacrazione dopo il rientro negli Stati Uniti. Ogni anno, la facoltà di musica dell'università di Harvard, dedica parte del suo calendario accademico all'analisi ...
Italian West Side Big Band: Blue Tone
by Angelo Leonardi
Il panorama delle orchestre jazz italiane si arricchisce di un nuovo organico che nasce grazie alla dedizione del sassofonista Giancarlo Canini. Questi ha coinvolto l'arrangiatore {Marco Tiso, molti solisti provenienti dal dipartimento jazz del conservatorio di Frosinone e alcuni ospiti di prima grandezza: i sassofonisti Maurizio Giammarco ed Eugenio Colombo, il trombettista Aldo Bassi e il ...
Roger Kellaway Trio: New Standards Vol. 3
by Dan Bilawsky
Trumpeter Carl Saunders is best known for his contributions to jazz orchestras, having put his mighty horn to good use for Stan Kenton, Bill Holman, Maynard Ferguson, Benny Goodman, Gerald Wilson, and numerous other big band leaders of note over the past half-century. Yet his work as a composer may end up being his lasting legacy. ...
Alan Ferber: Jigsaw
by Angelo Leonardi
Tra il pubblico del jazz italiano è colpevolmente poco noto. Eppure Alan Ferber è tra i più attivi e richiesti trombonisti contemporanei, con più di cento incisioni da sideman negli ultimi 15 anni (tra cui con le orchestre di John Hollenbeck, Darcy James Argue, Brian Landrus, Ted Nash, Gerald Wilson ed i gruppi di Nels Cline, ...
Go Slow: The Life Of Julie London
by Michael Owen
The following is an excerpt is from “Chapter 12: For the Night People" of Go Slow: The Life of Julie London by Michael Owen (Chicago Review Press, 2017). All Rights Reserved. In 1965, after three years of largely recording pop tunes under Liberty Records' hit-making producer Snuff Garrett, Julie London was eager to ...
