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John Scofield: A Moment's Peace
by John Kelman
In a career just entering its fifth decade, John Scofield may have covered a lot of stylistic territory—from the burning modality of Rough House (Enja, 1978), funkified fusion of Blue Matter (Gramavision, 1987) and N'awlins leanings of Piety Street (EmArcy, 2009), to jamband workouts like A Go Go (Verve, 1998), burning modern mainstream on Time On ...
Katie Bull: Freak Miracle
by Florence Wetzel
Katie Bull is a highly original talent, a vocalist steeped in tradition who fearlessly rocks the boundaries of the known. Freak Miracle is a wonderfully expressive and free-flowing CD, a fresh and unpredictable mix that highlights Bull's gift for approaching music and songwriting from her own unique angle. Eleven of the fourteen tracks on ...
Theo Saunders: Intergeneration
by Chuck Koton
Born into the cultural vortex that is New York City's Upper West Side and raised by Broadway theater-performing parents, Theo Saunders was destined for the creative life. By the time he graduated from New York's prestigious High School for the Performing Arts, Saunders knew his future would be made seated in front of a piano playing ...
Eliane Elias: New York, NY, June 2, 2011
by Ernest Barteldes
Eliane EliasDizzy's Club Coca-ColaNew York, NYJune 2, 2011 Pianist/vocalist Eliane Elias opened her set at New York's Dizzy's Club Coca-Cola, in celebration of Light My Fire (Concord, 2011) with “Ladeira," a Gilberto Gil-penned instrumental samba with a very syncopated drive. The tune was more like a warm-up, where her solid ...
Clairdee: Half Moon Bay, CA, May 8, 2011
by Bill Leikam
ClairdeeDouglas Beach HouseHalf Moon Bay, CaliforniaMay 8, 2011 On Mother's Day, May 8, 2011, the historic Douglas Beach House (aka Bach Dancing and Dynamite Society) in Half Moon Bay, California was buzzing about Clairdee's impending performance. When the full house had settled in, her stellar band--musical director/pianist Ken French, world ...
Jerry Bergonzi: Convergence
by Greg Simmons
Saxophonist Jerry Bergonzi has become one of the most reliable recording artists in jazz. In between his day job as a Berklee College of Music professor, and performing, he turns out a great album or two every year. Featuring mostly tenor horn, Convergence follows dutifully in that pattern. The album splits between a classic piano-based quartet ...
Marcus Miller: A Night in Monte Carlo
by Chuck Koton
It's been more than four years since James Brown, the “hardest working man in show business," departed this Earth for an ethereal stage, time enough to anoint a successor. Bassist Marcus Miller deserves consideration--a tribute that would, no doubt, put a smile on the face of the Godfather of Soul. After all, a typical year for ...
Judith Berkson: Oylam
by John Kelman
As renowned as Manfred Eicher is for his ability to scout out new talent deserving wider recognition, ECM's other regular (albeit less prolific) producer, Steve Lake, is equally worthy of similar consideration. Few others could have imagined the remarkable synchronicity of folk traditionalism and unfettered free play that came about when, after recruiting Robin Wililiamson for ...
Mark Lambert: Under My Skin
by Raul d'Gama Rose
Revisiting classic standards is always somewhat risqué--a challenge, to say the least. Where does the balance between the familiar and the overlooked lie when it comes to repertoire? And how much further can the envelope be pushed without the music being absolutely boorish and unrecognizable? Mark Lambert answers both these questions in spectacular fashion in his ...
Paul Meyers: Paul Meyers Quartet Featuring Frank Wess
by Raul d'Gama Rose
This record, very simply titled, brings together two fine musicians. One is Paul Meyers, the stylish nylon-string guitarist who adorns the music of Jon Hendricks, and the legendary Frank Wess, a tenor saxophonist and flutist with perhaps the most burnished vocal styles on both instruments. This in itself, achieves a sort of Zen-like Nirvana while soaking ...
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