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Album

The Heart and Soul of Joe Williams and George Shearing / Out of this World

Label: Unknown label
Released: 2001
Track listing:

The Heart And Soul Of Joe Williams And George Shearing:Heart And Soul; Nobody's Heart; Humpty Dumpty Heart; My Heart Stood Still; My Heart And I; Blues In My Heart; Sleep My Heart; My Foolish Heart; My Heart Tells Me; Young At Heart; I Let A Song Go Out Of My Heart (Total Time: 31:26).

Out Of This World:Out Of This World; Wendy; Hey Jude; Funny Sunny; Serenade In Blue; Here, There And Everywhere; Such A Fool; Out Of Nowhere; You're My Everything; The Road To Nowhere, Let It Snow; How Do You Say "Auf Wiedersehn?" (Total Time: 38:49).

179

Article: Album Review

George Shearing (Koch Jazz: The Heart and Soul of Joe Williams and George Shearing / Out of this World

Read "The Heart and Soul of Joe Williams and George Shearing / Out of this World" reviewed by C. Michael Bailey


Title:The Heart and Soul of Joe Williams and George Shearing / Out of this World Year:2001 Artist Name:George Shearing Record Label:Koch Jazz (51001 / 51002) Genre:Mainstream Koch Jazz's George Shearing Collector's Series. Hailing from London, George Shearing has been making music for the past six decades. He has been on hand for the development of Jazz ...

244

Article: Album Review

George Shearing: Back To Birdland

Read "Back To Birdland" reviewed by AAJ Staff


Back To Birdland is aptly named. The man most closely associated with the club returned, not to the original Birdland on Broadway, but to the newly reconstituted club on 44th Street. And George Shearing--whose mastery of the piano gained heightened appreciation after he left his might-as-well-be-patented quintet format for vibrant trios, memorable vocal partnerships, exceptional duos ...

291

Article: Album Review

George Shearing - Brian Torff: Lullaby Of Birdland

Read "Lullaby Of Birdland" reviewed by AAJ Staff


With the re-release of two earlier albums in the 2-CD Lullaby Of Birdland compilation, Concord has accomplished more than recalling the George Shearing's association with the label. Concord is giving proof of the reason for it.Simply put, Lullaby Of Birdland provides the evidence for Concord's signing of Shearing. The two albums within, Blues Alley ...

Album

Reflections

Label: Telarc Records
Released: 2000
Track listing:

Birdfeathers; Straighten Up And Fly Right; Summer Song; Oh Lady Be Good!; Wail; Conception; How Beautiful Is Night; My Favorite Things; Gee Baby Ain't I Good To You?; Bags' Groove; Subconscious Lee; Peace; God Rest Ye Merry, Gentlemen

Album

The Best Of George Shearing

Label: JJ-Tracks
Released: 2000

206

Article: Album Review

George Shearing: Reflections

Read "Reflections" reviewed by AAJ Staff


In celebration of his eighty-first year, Telarc is releasing a tidy and organized package of George Shearing's work on the eight albums he has recorded on the label in the past eight years. Reflections is notable because it was carefully produced to compare Shearing's styles as it showcases his ultimate consistency and strengths. At the same ...

Album

Christmas With The George Shearing Quintet

Label: Telarc Records
Released: 1999
Track listing: Ding Dong! Merrily On High, White Christmas, Winter Wonderland, The Christmas Waltz, Have Yourself a Merry Little Christmas, No

4

Article: Profile

Toots Sweet

Read "Toots Sweet" reviewed by AAJ Staff


When most people think of the harmonica, they usually picture Ackroyd and Belushi soulin' it up in black suits, southern fried wah-wah blues or a scene from within a jail cell at state prison. Now that's not jazz. But, one man managed to create something unique with the harmonica that no one could ever imagine in ...

305

Article: Album Review

The George Shearing Quintet: Christmas With The George Shearing Quintet

Read "Christmas With The George Shearing Quintet" reviewed by C. Michael Bailey


Review Redux. I was just putting the finishing touches on my January review of Christmas with The George Shearing Quintet when I read the December reviews and found that my colleague Douglas Payne had already covered this ground. I thought, “Drat, he did not miss one stylistic or compositional allusion that I heard" (with the exception ...


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