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George Lewis
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George Lewis is a jazz trombone player and composer. In addition to his own recordings, he has recorded or performed with Anthony Braxton, Roscoe Mitchell, Conny Bauer and others. He is a contemporary and colleague of trombonist Ray Anderson. He also has a feature segment on Laurie Anderson's album Big Science. Lewis has long been active in creating and performing with interactive computer systems, most notably his software called Voyager, which "listens to" and reacts to live performers. Lewis gave an invited keynote lecture and performance at NIME-06, the sixth international conference on New Interfaces for Musical Expression, which was held at IRCAM, Paris, in June 2006. He is a member of the Association for the Advancement of Creative Musicians (AACM) and a graduate of Yale University, where he was tapped by the The Skull and Bones
Joëlle Léandre, Evan Parker: Long Bright Summer
by Neri Pollastri
Joelle Leandre e Evan Parker, due tra i massimi rappresentanti della tradizione improvvisativa europea, hanno registrato nel 1982, il primo disco assieme, 28 rue Donois, membri di un quartetto che includeva anche due straordinari musicisti come Derek Bailey e George Lewis. Negli oltre quarant'anni successivi sono state numerosissime le documentazioni delle occasioni in cui si sono ...
GEORGE: Looking for Consonance
by Glenn Astarita
John Hollenbeck has spent much of the past three decades blurring the boundaries between jazz, chamber music and improvisation. A Grammy-nominated composer and bandleader known for his work with the Claudia Quintet and the John Hollenbeck Large Ensemble, he enters a new chapter with an electro-acoustic ensemble named after George Floyd. Its debut recording, Letters to ...
The Philosophy Of Jazz
by Ian Patterson
The Philosophy Of Jazz Kevin Le Gendre 105 Pages ISBN: 978 0 7123 5503 2 British Library 2025 If you had to recommend just one book on jazz history to a neophyte, which would it be? Ted Gioia's The History of Jazz (Oxford University Press, ...
Altin Sencalar: Unleashed
by C. Andrew Hovan
Often overshadowed by other solo instruments, the trombone boasts a rich history in jazz--one so vast it could fill volumes. New Orleans, the birthplace of jazz, also gave rise to Kid Ory, a pioneer of the “tailgate" style of trombone playing. In the early 1900s, bandleaders often promoted their shows by parading through town on horse-drawn ...
The Label Head: Nils Winther
by B.D. Lenz
Talk to anyone from around the jazz business and they'll all tell you the same thing, there is no shortage of it. There is plenty of great music being made by plenty of great musicians. In fact, the supply is probably outpacing the demand. And yet independent jazz labels are having a tough time. Do they ...
Jazzfest Berlin 2024
by Giuseppe Segala
Haus der Berliner Festspiele, Quasimodo Jazz Club, A-Train Jazz Club, Chiesa Monumentale Kaiser Wilhelm Jazzfest Berlin 2024 Berlino 31 ottobre--3 novembre 2024 Nel programma che celebrava il sessantesimo compleanno del Jazzfest Berlin, e che ne scandiva la sessantunesima edizione, non c'era solo musica. Ovvero, attorno al ricco e appetitoso ...
Wadada Leo Smith, Amina Claudine Myers: Central Park’s Mosaics of Reservoir, Lake, Paths and Gardens
by Giuseppe Segala
Amina Claudine Myers e Wadada Leo Smith sono stati protagonisti fin dalle prime mosse del fermento artistico che ha preso il nome di Association for the Advancement of Creative Musicians, a Chicago nel 1965 per iniziativa di Muhal Richard Abrams, Malachi Favors, Fred Anderson e altri artisti più giovani, che cercavano nuove strade, mescolando in modo ...
Take Five with Meg Okura
by AAJ Staff
Meet Meg Okura Hailed as “the queen of chamber jazz (All About Jazz)," Tokyo-native Meg Okura is a Grammy-nominated jazz composer and violinist based in New York, known for her music praised by The New York Times as “grandiloquent beauty that transitions easily from grooves to big cascades to buoyant swing." Ms. Okura leads her 10-piece ...
Clint Maedgen: Life Before & With Preservation Hall
by Thomas Cole
My first memories of listening to music as a kid? I was probably listening to Fats Domino and rock 'n' roll on the radio. The power of AM radio at that time in the '70s was a huge foundational influence on me, as it has been for a lot of people in those days. And sittin' ...
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