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George Lewis

George Lewis is a jazz trombone player and composer. In addition to his own recordings, he has recorded or performed with Anthony Braxton, Roscoe Mitchell, Conny Bauer and others. He is a contemporary and colleague of trombonist Ray Anderson. He also has a feature segment on Laurie Anderson's album Big Science. Lewis has long been active in creating and performing with interactive computer systems, most notably his software called Voyager, which "listens to" and reacts to live performers. Lewis gave an invited keynote lecture and performance at NIME-06, the sixth international conference on New Interfaces for Musical Expression, which was held at IRCAM, Paris, in June 2006. He is a member of the Association for the Advancement of Creative Musicians (AACM) and a graduate of Yale University, where he was tapped by the The Skull and Bones

ARTICLE: BOOK REVIEW

Make It New: Reshaping Jazz in the 21st Century

Read "Make It New: Reshaping Jazz in the 21st Century" reviewed by Mark Sullivan

Make It New: Reshaping Jazz in the 21st Century Bill Beuttler 304 Pages ISBN: #978-1643150055 (13) Lever Press 2019 Journalist Bill Beuttler modeled this book after Joe Goldberg's Jazz Masters of the 50s (Macmillan Publishing Co, 1965). It devoted a chapter each to a dozen musicians, providing a ...

ARTICLE: ALBUM REVIEW

Un Poco Loco: Ornithologie

Read "Ornithologie" reviewed by Mark Corroto

Somewhere Han Bennink is very jealous of the music making of the trio Un Poco Loco. The master of 'New Dutch Swing' hijinks would give his right crash cymbal to perform music in the manner this trio covers Charlie Parker on Ornithologie. The aptly designated Un Poco Loco ('a bit crazy') trio is trombonist Fidel Fourneyron, ...

ARTICLE: RADIO

A Herbie Nichols' Centennial - Part II

Read "A Herbie Nichols' Centennial - Part II" reviewed by Ludovico Granvassu

The second part of this week's tribute to Herbie Nichols focuses on the work of champions of his music like Roswell Rudd, Misha Mengelberg, Steve Lacy and, again, the Herbie Nichols Project with some never-heard-before live recordings from the vaults of the Jazz Composers Collective. For the first part of this Herbie Nichols special ...

ARTICLE: INTERVIEW

Adam Rudolph: Ragmala and Prototypical Music

Read "Adam Rudolph: Ragmala and Prototypical Music" reviewed by Franz A. Matzner

Adam Rudolph has been seeking to push the boundaries of musical creativity for decades, developing a unique concept of composition, ensemble interaction, and conducting. As many writers have commented, his music resists critical commentary due to its prototypical nature. Said another way, Rudolph's music doesn't sound like anything else, and its antecedents are so varied that ...

ARTICLE: YEAR IN REVIEW

2019: The Year in Jazz

Read "2019: The Year in Jazz" reviewed by Ken Franckling

The year 2019 was robust in many ways. International Jazz Day brought its biggest stage to Australia. An important but long-shuttered jazz mecca was revived in a coast-to-coast move. ECM Records celebrated a golden year. The music and its makers figured prominently on the big screen. The National Endowment for the Arts welcomed four new NEA ...

ARTICLE: RADIO

Do the Jazz Shuffle

Read "Do the Jazz Shuffle" reviewed by Ludovico Granvassu

This week we have have decided to do the jazz shuffle, and by shuffle we don't mean the jazz rhythm, but the feature that allows to play anything on a hard-drive in a randomized order. A perfect approach to revel through unexpected pairings, daring juxtapositions and accidental non sequiturs. After all if one ...

ARTICLE: ALBUM REVIEW

Sensaround: Heart/Noise

Read "Heart/Noise" reviewed by Karl Ackermann

Sensaround is an electro-acoustic trio of Australian and Scottish lineage, co-led by the familiar names of Alister Spence and Raymond MacDonald and the less recognized Shoeb Ahmed. Heart/Noise is the group's third release following the 2014 Isotropes (hellosQuare recordings). The music defies categorization, combining--as the musicians describe it--"jazz ambience, ghostly dub, and post-punk experiments...." It is ...

The Creative Musicians Improvisers Forum: New Haven's AACM

Read "The Creative Musicians Improvisers Forum: New Haven's AACM" reviewed by Daniel Barbiero

The late 1960s through the 1970s and '80s were difficult years for jazz and jazz-derived improvised music, but they were also years that saw musicians—by necessity—respond to these difficulties with creative solutions. With first the rise and then the commercial dominance during those years of rock music and the corresponding eclipse of jazz, creative musicians in ...

ARTICLE: RADIO

Dixieland Revival – A Sense of History (1939 - 1955)

Read "Dixieland Revival – A Sense of History (1939 - 1955)" reviewed by Russell Perry

In the 1940's, some twenty-five to thirty years into the history of recorded jazz, the sometimes violent reaction against the bebop revolution caused a hard look into the rear view and the jazz world focused on its own history. Many of the players who led the first jazz revolution were still alive, ready for prime time, ...


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