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Results for "George Colligan"
Mike Clark: East Bay Funk
by George Colligan
[ Editor's Note: The following interview is reprinted from George Colligan's blog, Jazztruth]I remember the first time I heard the classic Herbie Hancock album Thrust (Columbia, 1974). It was on the radio, if you can believe it. The song “Actual Proof" burned into my brain: I had been a fan of Herbie's, especially of ...
Kevin Hays: Creative Flow
by George Colligan
[ Editor's Note: The following interview is reprinted from George Colligan's blog, Jazztruth]If you aren't familiar with pianist Kevin Hays, you should be. He's recorded and toured with many of the greatest jazz musicians of all time. And those who call him can't seem to get enough of him. His recent projects as a ...
Kerry Politzer: Voice And Voicings
by George Colligan
The following interview is reprinted from George Colligan's blog, Jazztruth. Kerry Politzer is one of my favorite musicians, period. (Yeah, she's my wife, you gotta problem wit dat? No, I see the potential conflict of interest, but hey, it's all about who you know, right?) Seriously, Politzer is one of the most ...
Joe Manis: Killin'!
by George Colligan
[ Editor's Note: The following interview is reprinted from George Colligan's blog, Jazztruth]Sometime last year, I got an email from a dude named Joe Manis, who said he was from Eugene and he wanted me to make a recording with him. He wanted me to play organ. I said to myself," Hmmm. Tenor player ...
Warren Wolf: Beyond Perfect Pitch
by George Colligan
[ Editor's Note: The following interview is reprinted from George Colligan's blog, Jazztruth]Warren Wolf is an amazing young multi-instrumentalist from Baltimore. He plays the drums quite well, and I've hired him and worked with Wolf the drummer in a number of settings. He is the premier young vibraphonist on the scene. He also plays ...
Fondazione Siena Jazz Summer Workshop 2013
by John Kelman
Fondazione Siena Jazz Summer WorkshopSiena, ItalyJuly 24-August 7, 2013While there are those who continue to suggest that the death knell for jazz has been sounded--and loudly--they're clearly not looking at the vast number of young musicians studying the music, both privately and, increasingly, in university programs. It's hard to imagine that only fifty ...
Marvin Sewell: Stepping Up to the Plate
by George Colligan
[ Editor's Note: The following interview is reprinted from George Colligan's blog, Jazztruth]Marvin Sewell might be the greatest guitarist you've never heard of. I first met Sewell at a recording session in 1995. (Sewell, saxophonist Gary Thomas, and I improvised over hip-hop tracks for two days; these sessions were edited into what become Thomas' ...
Billy Childs: Pushing Past Preconceptions
by George Colligan
[ Editor's Note: The following interview is reprinted from George Colligan's blog, Jazztruth]Billy Childs is simply one of the baddest musicians on the planet. He's a brilliant jazz pianist, having received much acclaim as a sideman with legends as well as from being a bandleader. His Windham Hill recordings--Take For Example, This....., His April ...
Zach Brock: The New Meritocracy of Jazz
by George Colligan
[ Editor's Note: The following interview is reprinted from George Colligan's blog, Jazztruth]About a month or so ago, I had the pleasure of performing in a duo setting with violinist Zach Brock. I've known Brock for years; we met and played together a few times in New York City. However, this was our first ...
Buster Williams: Take No Prisoners
by George Colligan
[ Editor's Note: The following interview is reprinted from George Colligan's blog, Jazztruth]I first heard bassist Buster Williams on a Herbie Hancock recording called VSOP Live (Columbia, 1976). I remember thinking that their version of Hancock's “Toys" was pretty wild stuff. In addition to hearing him on some other recordings like Hancock's Sextant (Columbia, ...
