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Essentials ...The Very Best Of George Benson
Label: Warner.ESP
Released: 1998
Track listing: Love X Love; In Your Eyes; Give Me The Night; Never Give Up On A Good Thing; Love Ballad; Shiver; Lady Love Me (One More Time); This Masquerade; Feel Like Making Love; Nature Boy; Turn Your Love Around; 20/20; You Are The Love Of My Life; Inside Love (So Personal); Being With You; On Broadway; Breezin’; The Greatest Love Of All;
Guitare
Label: Verve Records
Released: 1998
Track listing: Li'l Darlin'; Autumn In New York; I Remember Wes; Midnight Mood; Insensiseblement; Willow Weep For Me; Body And Soul; Lover Man (Oh, Where Can You Be?); Nuages; My Foolish Heart; Moonlight Becomes You; Last Night When We Were Young;
Being Myself
By Lena Horne
Label: Blue Note
Released: 1998
Track listing: Some Of My Best Friends Are The Blues; As Long As I Live; Autumn In New York; It's Alright With Me; Sleepin' Bee; Imagination; How Long Has This Been Going On?; After You; Willow Weep For Me; What Am I Here For;
George Benson: Standing Together
by Robert Spencer
George Benson on autopilot, or as the title of one of these tunes has it, cruise control. There's nothing wrong musically with this disc: Benson's guitar playing is as bright and bouncy as ever, his singing is buoyant and attractive, and the arrangements are competent. But this is just another record in a long string of ...
George Benson: I Got A Woman And Some Blues
by Douglas Payne
This odd hodgepodge of funk jazz and R&B / pop was recorded by guitarist / vocalist George Benson for A&M / CTI Records around 1970. It first appeared on vinyl in 1984--long after most anyone cared about Benson's music--and has finally just made it onto CD. There's no personnel listed, but it's worth betting that Idris ...
George Benson: Salt Song
by AAJ Staff
One could argue that Creed Taylor helped create the “smooth jazz" or “NAC" sound when he produced (or overproduced) some very commercial Wes Montgomery albums in the 1960s. But considering how much great jazz he produced for CTI in the early-to-mid 1970s, we can forgive Taylor for his role in the “smooth jazz" nightmare. At CTI, ...
