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367

Article: Album Review

John Ellis & Double-Wide: Puppet Mischief

Read "Puppet Mischief" reviewed by Chris May


Brooklyn-based saxophonist John Ellis is a player who, whenever he puts his horn in his mouth, makes it seem like retro-modern is the only show in town. His style is part classic soul and funk, part modern jam band groove and part freewheeling improvisation. He has a particular affinity with New Orleans roots music and also ...

932

Article: Interview

Chris Jentsch: Cycles and Reflecting on the Journey

Read "Chris Jentsch: Cycles and Reflecting on the Journey" reviewed by Ludwig vanTrikt


John Coltrane once said, “Let the music speak for itself." The guitarist/composer and band leader Christopher Jentsch adds an interesting twist on that subject by opting to describe himself when asked about the broader subject of how to capture his music in his own words. “I think of myself as a composer/guitarist working with contemporary improvisational ...

1,214

Article: Interview

John Geggie: Unexpected Conversations

Read "John Geggie: Unexpected Conversations" reviewed by John Kelman


Most cities have them: musicians who act like a lightning rod, focusing and driving their jazz scenes. In Ottawa, Canada, bassist John Geggie has been one of those significant focal points for two decades, but in particular over the past ten years. He's one of the founding organizers and faculty members of Jazzworks which, amongst other ...

295

Article: Multiple Reviews

Loren Stillman: Winter Fruits & Knu Gmoon

Read "Loren Stillman: Winter Fruits & Knu Gmoon" reviewed by George Kanzler


Loren StillmanWinter FruitsPirouet2009 Knu GmoonKnu Gmoonself-published2009 Everything old can be new again could be the motto of the ensembles on these two albums. And the emphasis is definitely on the ...

484

Article: Live Review

Into the Fire: Winter Jazzfest 2010

Read "Into the Fire: Winter Jazzfest 2010" reviewed by Gordon Marshall


Winter Jazzfest New York, New York January 8-9, 2010 Fast-forward 30 years from the days in the late 1970s and early '80s when the world-weary wisdom that jazz wasn't a living force anymore was whispered to us--maybe you are getting out of jail, maybe waking from a cryogenic sleep. Before this happened, ...

Album

Night Songs

Label: Criss Cross
Released: 2009
Track listing: Laura; Autumn in New York; September Song; Prelude to a Kiss; Spring Is Here; I'll Be Seeing You; Blue in Green; Nefertiti; Warm Valley.

177

Article: Album Review

Wayne Escoffery: Uptown

Read "Uptown" reviewed by Woodrow Wilkins


Bob Mintzer, Kirk Whalum and Ada Rovatti are just a few of today's stunning tenor sax players. Wayne Escoffery can be added to their company. Escoffery, 34, is a native of London who moved to the United States with his mother at an early age. He enjoyed singing, and was a member of the ...

360

Article: Album Review

Wayne Escoffery: Uptown

Read "Uptown" reviewed by Joel Roberts


On Uptown, his fifth album as a leader, the impressive 34-year-old tenor saxophonist {Wayne Escoffery employs an old-fashioned soul jazz lineup of sax, Hammond B-3 organ, electric guitar and drums. But don't expect to hear the sort of bluesy “uptown" jams associated with classic soul jazz tenors like Gene Ammons, Eddie “Lockjaw" Davis or Stanley Turrentine. ...

358

Article: Album Review

Loren Stillman: Winter Fruits

Read "Winter Fruits" reviewed by Mark F. Turner


Loren Stillman's Winter Fruits is an impressive follow-up to the saxophonist's stellar Blind Date (Pirouet Records, 2007). The increasingly visible altoist has been spotted on a number of recordings including Paul Motian's On Broadway, Vol. 5, (Winter & Winter (2009), yet found time to refine his own music. Through a couple of lineup changes with new ...

149

Article: Multiple Reviews

It's The Drummer, Stupid

Read "It's The Drummer, Stupid" reviewed by Mark Corroto


If you're a jazz misanthrope you probably think first to “shoot the pianist," a saying taken from the Francois Truffaut film of the same name, Tirez sur le pianiste. Truth be told, the most effective way to pull the plug on a jazz band, a very good jazz band, is to take out the drummer. An ...


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