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Sunny Murray: On Taking the Leap from One Reality to Another
by Robert Levin
The following is a chapter from “Going Outside: Fiction * Commentary * Jazz." robert-levin.com. [Author's Note: Sunny Murray is widely regarded as the preeminent drummer of the free jazz movement. The “Jeanne" mentioned below was Jeanne Phillips. Although there were, to be sure, significant differences--she was black, she worked a forty ...
Festival International de Jazz de Montreal: July 2-5, 2010
by Peter Walton
Festival International de Jazz de MontréalMontréal, Quebec, CanadaJuly 2-5, 2010I arrived in Montréal mid-week, the Festival International de Jazz de Montréal already in high gear. Closing off six square blocks of downtown Montréal, an area commanding six major outdoor stages and several indoor theaters and concert halls, the Festival International de ...
Franck Amsallem: Amsallem Sings
by Bruce Lindsay
Thirty years into a career which has seen Algerian-born Frank Amsallem playing piano with musicians as diverse as Joshua Redman, Gary Peacock and Danny Gatton, Amsallem Sings is his debut recording as a vocalist. It's a solo album--Amsallem accompanies himself on piano, without the support of any other players, so that the album stands or falls ...
Keith Jarrett: Trio, Solo & Duo
by Ken Dryden
Keith JarrettStandards in Sweden I & IIBlue Music Group2010 Keith JarrettParis/London: TestamentECM2009 Keith JarrettJasmineECM2010 Though one of the most lyrically gifted pianists of his generation, ...
Keith Jarrett / Charlie Haden: Jasmine
by Dan McClenaghan
In the world of jazz, it's often said that “live is better." The immediacy and spontaneity of a living, breathing, and hopefully rapt audience can lend electricity to a recording foray. For pianist Keith Jarrett, this may be truer than it is for most artists. His Standards Trio, with bassist Gary Peacock and drummer Jack DeJohnette ...
Bill Carrothers: See the Piano, Play the Piano
by Dan McClenaghan
"I want to keep my fingers in a state of chaos...I try to keep my fingers stupid."----Bill Carrothers, jazz pianist. The quest for chaotic and stupid finger seems an unusual one for a jazz pianist. But then, a conversation with Bill Carrothers reveals an unusual man; one who is to-the-point and forthright ...
Eddie Gomez: The Playing is Free
by Donald Elfman
Eddie Gomez is known throughout the world as a consummate bassist, sterling educator and a musician active in a wide variety of musical settings. He has been on the music scene for more than 40 years and has worked with everyone from Bobby Darin to Giuseppi Logan. Gomez moved from Puerto Rico as a child and ...
Keeping Up With The Joneses: The Jones Name In Jazz
by Dan Bilawsky
"What's in a name?"This question, written by Shakespeare and spoken from the mouth of his Juliet, really touches on an important line of thought. Juliet continued and said, “That which we call a rose by any other name would smell as sweet." While she was dealing with the Montague/Capulet issue, she sought to downplay ...
Daniel Kelly, Gary Peacock & Marc Copland, Allison Miller: Solo, Duo, Trio
by J Hunter
It can be argued that a quartet offers jazz listeners maximum effect with minimal personnel. It allows for two solo voices without compromising the rhythm section, and gives a composer access to a wider range of colors than could be provided by a smaller group. Then again, there are players doing much more with much less. ...
Paul Motian / Chris Potter / Jason Moran: Lost In A Dream
by David McLean
A drummer whose inventive approach to percussion has produced one of the most recognizable and in demand sounds in the pantheon of jazz, Paul Motian's revolutionary playing has seen him approach the kit not as a rhythmic backbone, but as a tool for subtlety and soundscape creation. Lost In A Dream, Motian's set of midnight ballads, ...
