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Results for "Gary Peacock"
Keith Jarrett: Trio, Solo & Duo
by Ken Dryden
Keith JarrettStandards in Sweden I & IIBlue Music Group2010 Keith JarrettParis/London: TestamentECM2009 Keith JarrettJasmineECM2010 Though one of the most lyrically gifted pianists of his generation, ...
Keith Jarrett / Charlie Haden: Jasmine
by Dan McClenaghan
In the world of jazz, it's often said that “live is better." The immediacy and spontaneity of a living, breathing, and hopefully rapt audience can lend electricity to a recording foray. For pianist Keith Jarrett, this may be truer than it is for most artists. His Standards Trio, with bassist Gary Peacock and drummer Jack DeJohnette ...
Bill Carrothers: See the Piano, Play the Piano
by Dan McClenaghan
"I want to keep my fingers in a state of chaos...I try to keep my fingers stupid."----Bill Carrothers, jazz pianist. The quest for chaotic and stupid finger seems an unusual one for a jazz pianist. But then, a conversation with Bill Carrothers reveals an unusual man; one who is to-the-point and forthright ...
Eddie Gomez: The Playing is Free
by Donald Elfman
Eddie Gomez is known throughout the world as a consummate bassist, sterling educator and a musician active in a wide variety of musical settings. He has been on the music scene for more than 40 years and has worked with everyone from Bobby Darin to Giuseppi Logan. Gomez moved from Puerto Rico as a child and ...
Keeping Up With The Joneses: The Jones Name In Jazz
by Dan Bilawsky
"What's in a name?"This question, written by Shakespeare and spoken from the mouth of his Juliet, really touches on an important line of thought. Juliet continued and said, “That which we call a rose by any other name would smell as sweet." While she was dealing with the Montague/Capulet issue, she sought to downplay ...
Daniel Kelly, Gary Peacock & Marc Copland, Allison Miller: Solo, Duo, Trio
by J Hunter
It can be argued that a quartet offers jazz listeners maximum effect with minimal personnel. It allows for two solo voices without compromising the rhythm section, and gives a composer access to a wider range of colors than could be provided by a smaller group. Then again, there are players doing much more with much less. ...
Paul Motian / Chris Potter / Jason Moran: Lost In A Dream
by David McLean
A drummer whose inventive approach to percussion has produced one of the most recognizable and in demand sounds in the pantheon of jazz, Paul Motian's revolutionary playing has seen him approach the kit not as a rhythmic backbone, but as a tool for subtlety and soundscape creation. Lost In A Dream, Motian's set of midnight ballads, ...
Don Ellis: Haiku
by John Kelman
One of the more tragic casualties of the 1970s was Don Ellis. Emerging from the big bands of Maynard Ferguson, Charlie Barnet, and Ray McKinley, the trumpeter began releasing albums under his own name in the early 1960s, distanced from his mentors' more mainstream big band sound. Beginning in small ensembles with free-thinking players such as ...
Ralph Towner / Paolo Fresu: Chiaroscuro
by John Kelman
Since moving to Italy over a decade ago, guitarist/pianist Ralph Towner's output as a leader has been woefully infrequent, with only two discs released this decade--2001's Anthem and 2006's Time Line, both on the label that's been his home for over 35 years, ECM. It's not that he hasn't been busy; he continues to work and ...
Marc Copland: Alone
by Edward Blanco
Pianist Marc Copland goes it Alone with his first solo album on the German Pirouet label and the follow-up to his highly regarded Hatology solo disc, Time Within Time (2005). Alone follows the last of his New York Trio recordings Night Whispers (2009), where the pianist was joined by bassist Drew Gress and drummer Bill Stewart; ...
