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216

Article: Album Review

Marc Copland: Crosstalk

Read "Crosstalk" reviewed by John Kelman


After spending the early part of the 2000s in a recording spree that found him releasing as many as four albums each year on a variety of labels, Marc Copland has, since 2006, parked his piano with Germany's upstart Pirouet label. It's clearly been a fruitful pairing, with Copland releasing a variety of albums, in 2009 ...

422

Article: Extended Analysis

Paul Motian Trio 2000 + Two: Live at the Village Vanguard, Volume lll

Read "Paul Motian Trio 2000 + Two: Live at the Village Vanguard, Volume lll" reviewed by Charles Walker


Paul Motian Trio 2000 + TwoLive at the Village Vanguard, Volume IIIWinter & Winter2011 It almost seems like a challenge to the critical establishment: return to the scene of your greatest early-career triumph, 40 years later, surrounded by active musicians instead of legends, and see what happens. ...

505

Article: Interview

Bertram Turetzky: Contrabass Pioneer

Read "Bertram Turetzky: Contrabass Pioneer" reviewed by Robert Bush


Contrabassist Bertram Turetzky's career is nothing short of extraordinary. He almost single handedly redefined the role of the bass in 20th Century classical music, from one of back row support to that of featured and celebrated soloist. Even within the confines of classical music, Turetzky's range is huge: he is a master of early, pre- Bach ...

144

Article: Album Review

Francois Carrier: Entrance 3

Read "Entrance 3" reviewed by Mark Corroto


Some artists have a way of synthesizing various modes and trends in their craft, so that their art comes off as all-inclusive and incredibly original. Canadian saxophonist François Carrier is one such artist. On Entrance 3, he bridges modern free jazz and mid-1960s post-bop, with guest pianist Bobo Stenson and his working trio of bassist Pierre ...

117

Article: Album Review

Julia Hulsmann: Imprint

Read "Imprint" reviewed by Jonathan Wertheim


Manfred Eicher's Munich-based ECM Records specializes in spacious, absorbing records that reveal their inner workings, labyrinth-like, over the course of many listens. Some releases reveal themselves from the first note; with others, it can take years. Pianist Julia Hülsmann's sixth record--and second for ECM--Imprint, manages both. Hülsmann's trio isn't new--it has had more ...

66

News: Recording

December Poems (ECM 1119)

December Poems (ECM 1119)

Gary Peacock December Poems Gary Peacock double-bass Jan Garbarek tenor and soprano saxophones Recorded December 1977 at Talent Studio, Oslo Engineer: Jan Erik Kongshaug Produced by Manfred Eicher From the start of Gary Peacock's December Poems, one revels in the sound of his instrument, the buzzing, ...

101

News: Recording

Tales of Another (ECM 1101)

Tales of Another (ECM 1101)

Gary Peacock Tales Of Another Gary Peacock bass Keith Jarrett piano Jack DeJohnette drums Recorded February 1977, Generation Sound Studios, New York Engineer: Tony May Produced by Manfred Eicher The grouping on this album represents a milestone in ECM outfits, persevering to ...

275

Article: Album Review

Yuri Honing Wired Paradise: White Tiger

Read "White Tiger" reviewed by Ian Patterson


Dutch tenor saxophonist Yuri Honing is nothing if not versatile; in the last decade he has recorded with pianist Paul Bley, bassist Gary Peacock and drummer Paul Motian on Seven (Challenge, 2001); tackle Radiohead and Wayne Shorter compositions with the 51-piece Metropole Orchestra, conducted by Vince Mendoza, with Symphonic (Challenge, 2006); and interpret Franz Schubert's Winterreise ...

177

Article: Album Review

Paul Bley / Franz Koglmann / Gary Peacock: Annette

Read "Annette" reviewed by Raul d'Gama Rose


Those familiar with the music of Paul Bley, as well as Annette Peacock--after whom this album is named, and whose compositions are featured--will recall the nervy sense of creativity that flowed through their veins and music. In fact, the manner in which Peacock's work is described also fits Bley; both play music that is austere, exacting, ...

395

Article: Album Review

TriEZ: TriEZ

Read "TriEZ" reviewed by Antonio Álvarez Barthe


Primeras figuras del jazz de vanguardia europeo, con largos y brillantes currículos tanto como líderes como al servicio de diferentes maestros de la música improvisada en varios continentes, Agustí Fernández, Baldo Martínez y Ramón López debutaron como trío bajo el explícito nombre de TriEZ en el Festival Jazzycolors de París en noviembre de 2006. La excepcional ...


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