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Results for "Gary Peacock"
Take Five With Mike Davis
by AAJ Staff
Meet Mike Davis:Mike Davis has lived several distinct musical lives. He has been a student, a serious student of performance and of theory and of composition and of art. He has been a gig warrior, playing multiple shows in multiple styles on different instruments at different venues with different bands on the same day ...
Jazz Musician of the Day: Gary Peacock
All About Jazz is celebrating Gary Peacock's birthday today! Bassist Gary Peacock has played a major role in the development of avant garde jazz. He has worked with the likes of Miles Davis, Bill Evans, Albert Ayler, Don Cherry, Barney Kessel, Don Ellis, Terry Gibbs, Shorty Rogers, the Paul Bley Trio, Jimmy Giuffre, Roland Kirk and ...
Michael Blanco: No Time Like The Present
by Edward Blanco
A talented in-demand Broadway/jazz bassist, Michael Blanco's No Time Like The Present announces his second album as leader presenting a collection of refreshing new jazz originals offered by a dynamic quintet that features veteran saxophonist John Ellis and New York guitarist Jonathan Kreisberg among the cast. The two-time recipient of the ASCAP Foundation Young Jazz Composer ...
Wislawa
by John Kelman
Since returning to the ECM fold in 1994 to record Matka Joanna (1995), Tomasz Stańko has virtually rebooted a career that demonstrated significant promise back in the 1970s, when he released Balladyna (1976) for the label, and worked with others including Finnish drummer Edward Vesala and American bassist Gary Peacock. The Polish trumpeter was far from ...
Rez Abbasi Trio: Continuous Beat
by John Kelman
In the 17 years since Rez Abbasi released Third Ear (Cathexis, 1995), the Pakistan-born, American-raised guitarist hasn't just covered a lot of ground, he's gone from an undoubtedly talented but somewhat vanilla player to one with a distinct voice and approach. Starting with Snake Charmer (Earth Sounds, 2005) and Bazaar (Zoho, 2006), Abbasi began to find ...
Joe Morris: Graffiti In Two Parts
by John Sharpe
One of the main talking points regarding Graffiti In Two Parts, and perhaps the reason this session from 1985 has finally seen the light of day, must be the participation of the erstwhile pianist Lowell Davidson. After studying biochemistry at Harvard University, he moved to New York and played with Ornette Coleman who urged the ESP ...
Special Edition
by John Kelman
With drummer/keyboardist Jack DeJohnette entering his eighth decade on planet earth, he's managed to accomplish what few other drummers have. Recipient of the 2012 NEA Jazz Masters Award, there are few jazz drummer s alive today who can cite as many recordings as the Chicago-born DeJohnette can, nor are there many who have been on such ...
ECM: A Cultural Archeology
by John Kelman
ECM: A Cultural ArcheologyHaus der KunstMünchen, GermanyNovember 23, 2012-February 10, 2013A trip to München (Munich) is a bit like a pilgrimage for fans of Germany's ECM label, especially right now, with the city's Haus der Kunst hosting a three-month exhibition, ECM: A Cultural Archeology, celebrating the music of this nearly 44 ...
Dan McClenaghan's Best Releases of 2012
by Dan McClenaghan
Scores of excellent CDs were released in 2012. These are some of the finest. Click on the CD titles for more in depth reviews. Hal Galper Airegin Revisited Origin Records Pianist Hal Galper has been delving deeply into his rubato explorations of the standards, along with his ...
Lee Konitz: What True Improvising Is
by Bob Kenselaar
Lee Konitz is legendary as one of the great individualists in jazz, an art form that has always placed an extraordinary high value on individualism and unique forms of expression. “I've pretty much dedicated myself to trying to figure out what true improvising is," he says, “as opposed to playing what you know and getting loose ...
