Home » Search Center » Results: Fully Altered Media
Results for "Fully Altered Media"
Joel Harrison 7: Search
by Troy Collins
For over a decade, Joel Harrison has been steadily expanding his palette as a composer, although his penchant for unorthodox instrumental combinations and multicultural folk forms encompass only one facet of his inclusive aesthetic. Harrison's most recent efforts have borrowed heavily from Western neo-classical tenets; The Wheel (Innova, 2008) included an expansive five movement suite for ...
Linda Oh: Initial Here
by Mark F. Turner
President Theodore Roosevelt's famous quote, “Walk softly and carry a big stick," epitomizes Linda Oh, the soft-spoken bassist/composer who draws total respect with her intrepid musicianship. With her highly acclaimed self-released debut, Entry (2010), and increased visibility through recording dates and gigs like Dave Douglas' “Tea for 3" Tour, Oh is emerging as one of jazz's ...
Mike Reed's People, Places & Things: Clean on the Corner
by Troy Collins
Originally founded in 2008 to commemorate the lesser known “people, places & things" that have historically supported Chicago's progressive jazz scene, Mike Reed's ensemble of the same name continues to ply its bold interpretations of lesser known covers and swinging originals on Clean on the Corner, their fourth recording for 482 Music. Although this session breaks ...
Jerome Sabbagh: Plugged In
by Glenn Astarita
New York City-based tenor saxophonist Jerome Sabbagh has made the rounds by performing with a who's who of modern jazz artists amid his flourishing career as a solo artist. Possessing a stout tone and commanding presence, the artist's lyrically resplendent phraseology is often a good fit for a variety of jazz settings, including mainstream and the ...
Theo Bleckmann: Hello Earth! The Music of Kate Bush
by Dave Sumner
Theo BleckmannHello Earth! The Music Of Kate BushWinter & Winter2012The 1980s possessed an incongruous hope for the future against a backdrop of possible nuclear annihilation, as if in the darkest of times, society retreated to a naive state. This is a generalization that doesn't, obviously, represent the entire ...
Theo Bleckmann: Hello Earth! - The Music of Kate Bush
by Glenn Astarita
Vocalist Theo Bleckmann is a man of numerous modalities and ambitions. He's covered classical composer Charles Ives, teamed with heavyweight guitarist Ben Monder for experimental and improvised sojourns and, more recently, has performed and recorded with the always hip jazz unit, The Claudia Quintet. Here, Bleckmann treks into the pop-rock realm as he imparts a personalized ...
Joel Harrison 7: Search
by John Kelman
Over the past decade, Joel Harrison has created a body of work distinct in its eclectic and multifaceted reach. Compositionally, the guitarist has worked in a variety of contexts, from the ambitious five-movement suite for string quartet and jazz quintet of The Wheel (Innova, 2008) and the pan-cultural, genre-busting Harbor (HighNote, 2007), where he found a ...
The Claudia Quintet + 1 featuring Kurt Elling and Theo Bleckmann: What Is The Beautiful?
by Raul d'Gama Rose
Poetry has always been the libretto of jazz music. Even before epic works of the late Gil Scott Heron like “H2O Gate Blues" or “Winter in America" (which inspired the nations of rap and hip-hop), there was Langston Hughes with bassist Charles Mingus on Weary Blues (Verve, 1958), the great Amiri Baraka, and A.B. Spellman. Then ...
Vijay Iyer Trio: Accelerando
by Troy Collins
On the surface, Accelerando follows the same basic format as Historicity (ACT Music, 2009), the debut of pianist Vijay Iyer's working trio with bassist Stephan Crump and drummer Marcus Gilmore. Though once again divided between Iyer's complex originals and some surprising covers, this eclectic sophomore session attains an even greater sense of cohesion than its predecessor, ...
Jake Saslow: Crosby Street
by Mark F. Turner
One of 2011's many notable debuts is saxophonist Jake Saslow's Crosby Street, an ode to the street in New York's iconic SoHo, where the musician's formative years recalled the neighborhood's sights, music, and people. An analogy is formed between the music and the community, one that speaks of a distinct personality carried in Saslow's full-bodied horn ...
