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Theo Bleckmann: Hello Earth! The Music of Kate Bush
by Dave Sumner
Theo BleckmannHello Earth! The Music Of Kate BushWinter & Winter2012The 1980s possessed an incongruous hope for the future against a backdrop of possible nuclear annihilation, as if in the darkest of times, society retreated to a naive state. This is a generalization that doesn't, obviously, represent the entire ...
Theo Bleckmann: Hello Earth! - The Music of Kate Bush
by Glenn Astarita
Vocalist Theo Bleckmann is a man of numerous modalities and ambitions. He's covered classical composer Charles Ives, teamed with heavyweight guitarist Ben Monder for experimental and improvised sojourns and, more recently, has performed and recorded with the always hip jazz unit, The Claudia Quintet. Here, Bleckmann treks into the pop-rock realm as he imparts a personalized ...
Joel Harrison 7: Search
by John Kelman
Over the past decade, Joel Harrison has created a body of work distinct in its eclectic and multifaceted reach. Compositionally, the guitarist has worked in a variety of contexts, from the ambitious five-movement suite for string quartet and jazz quintet of The Wheel (Innova, 2008) and the pan-cultural, genre-busting Harbor (HighNote, 2007), where he found a ...
The Claudia Quintet + 1 featuring Kurt Elling and Theo Bleckmann: What Is The Beautiful?
by Raul d'Gama Rose
Poetry has always been the libretto of jazz music. Even before epic works of the late Gil Scott Heron like H2O Gate Blues" or Winter in America" (which inspired the nations of rap and hip-hop), there was Langston Hughes with bassist Charles Mingus on Weary Blues (Verve, 1958), the great Amiri Baraka, and A.B. Spellman. Then ...
Vijay Iyer Trio: Accelerando
by Troy Collins
On the surface, Accelerando follows the same basic format as Historicity (ACT Music, 2009), the debut of pianist Vijay Iyer's working trio with bassist Stephan Crump and drummer Marcus Gilmore. Though once again divided between Iyer's complex originals and some surprising covers, this eclectic sophomore session attains an even greater sense of cohesion than its predecessor, ...
Jake Saslow: Crosby Street
by Mark F. Turner
One of 2011's many notable debuts is saxophonist Jake Saslow's Crosby Street, an ode to the street in New York's iconic SoHo, where the musician's formative years recalled the neighborhood's sights, music, and people. An analogy is formed between the music and the community, one that speaks of a distinct personality carried in Saslow's full-bodied horn ...
Rudresh Mahanthappa: Samdhi
by Glenn Astarita
Paralleling the recent world-music phenomena, saxophonist Rudresh Mahanthappa has become a champion of Indo-Jazz applications. By integrating Indian classical ragas, Mahanthappa fuses a highly progressive jazz base into his undulating and, at times, mesmeric compositions. With touches of jazz-fusion, framed on sprawling improvisational forums, the artist's global approach reaps additional rewarding factors via his signature sound, ...
Alternative Guitar Summit brings together Nels Cline, Mary Halvorson, Ben Monder, Thurston Moore: Jan. 13-15, plus many more
Joel Harrison presents the Alternative Guitar Summit Co-sponsored by the New York Guitar Festival Featuring Nels Cline, Mary Halvorson, Vic Juris, Ben Monder, Thurston Moore and many more! January 13, 14 and 15, 2012 Rockwood Music Hall 196 Allen Street New York, NY 10002 (212) 477-4155 The guitar ...
Darren Johnston's Gone To Chicago: The Big Lift
by Glenn Astarita
Canada-reared, but calling San Francisco home since 1997, trumpeter and composer Darren Johnston delves into the Chicago's avant, modern-jazz establishment and kicks off a vibrant set, with prominent constituents of The Windy City's fertile soundscape. With The Big Lift, the trumpeter's ascending status within the outer reaches of jazz attains another hierarchical level. Peppered ...
The Jeff Gauthier Goatette: Open Source
by Ian Patterson
Open Source would have made a good alternative name for violinist Jeff Gauthier's ensemble, as it draws inspiration from myriad sources. Goatette continues its near twenty-year journey into territory ranging from avant-garde and sci-fi soundscapes, and deep funk grooves colored by searing electric guitar, to an altogether more pastoral melodicism reminiscent of the Mahavishnu Orchestra at ...





