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Gilad Hekselman: This Just In
by Mark F. Turner
If Gilad Hekselman's previous releases caused a few ripples then his fourth album, This Just In should make a splash. The Israeli-born, New York-based guitarist has garnered attention as a rising fret-board wizard from the wellspring of notable peers such as Lage Lund and Miles Okazaki; fresh voices with plenty of technique but of equal importance ...
Miguel Zenon & The Rhythm Collective: Oye!!! Live In Puerto Rico
by Dan Bilawsky
Puerto Rican pride oozes from every album under alto saxophonist Miguel Zenón's name. Most recently, he explored plena music in a jazz context on the winning Esta Plena (Marsalis Music, 2009), and put a new spin on songs from the Puerto Rican Songbook with Alma Adentro (Marsalis Music, 2011). While those projects differ greatly, with rough-and-tumble ...
Mara Rosenbloom Quartet: Songs from the Ground
by Glenn Astarita
Pianist Mara Rosenbloom frames her second album on personal recollections encapsulating childhood, family matters, and challenging situations. Therefore, the idealization for this outing is not merely steeped within an austere band approach. Taken from this perspective, her musicality embeds or perhaps synchronizes a form of melodic goodness with a traumatic periphery. Rosenbloom's brand ...
Ches Smith and These Arches: Hammered
by Glenn Astarita
Four progressive-jazz and improvising luminaries lend their expertise for New York City-based drummer Ches Smith's foray into a multi-purposed set, exploring and splitting the frontiers of avant-garde jazz, rock and other genres into asymmetrical components. Thus far, the artist has been in the thick of things, amassing an impressive discography, performing and recording with notables such ...
Gilad Hekselman: This Just In
by Mark Corroto
Quietly, so quietly the jazz guitar torch is passed from the legends Jim Hall and Pat Martino to Kurt Rosenwinkel and Gilad Hekselman, whose release This Just In makes a conspicuously understated grab for said torch.His fourth release as leader follows Hearts Wide Open (Le Chant Du Monde, 2011) and features the same stellar ...
Dave Douglas Quintet: Time Travel
by Troy Collins
Time Travel is the follow-up to 2012's Be Still, the critically acclaimed debut of trumpeter Dave Douglas' new Quintet. Since co-founding Greenleaf Records with label manager Michael Friedman in 2005, Douglas has issued a number of eclectic projects on the imprint, but few have been as surprising as last year's release, which featured folk singer Aoife ...
Ches Smith and These Arches: Hammered
by Mark F. Turner
Drummer, composer, and bandleader Ches Smith is an artist with indisputable abilities who thrives on the fringes whether supplying tight rhythms for notable musicians such as guitarist Marc Ribot, saxophonist Darius Jones, and the indie rock band Xiu Xiu, or creating self-produced works like his solo multi-instrumental electronic project Psycho Predictions (Preposterous Bee,2012). ...
Ryan Keberle + Catharsis: Music Is Emotion
by Dan Bilawsky
Music can be defined, analyzed and categorized, but those formal processes do little to help demystify the effect it can have on people. That's because music's power isn't directly related to the science behind the sound; music truly makes its mark through emotional connectivity, and trombonist Ryan Keberle is keenly aware of this. ...
Reut Regev's R*Time: Exploring the Vibe
by Troy Collins
Exploring the Vibe is the dynamic follow-up to This is R Time (Ropeadope, 2009), the critically acclaimed debut of R*Time, a mutable ensemble led by Israeli-born trombonist Reut Regev. A versatile instrumentalist, Regev has been involved in a number of eclectic projects since moving to New York City in 1998, including musical experiments in Radical Jewish ...
Dylan Ryan Sand: Sky Bleached
by Glenn Astarita
Faintly anarchic song-forms, coupled with a new-wave formulation of the jazz-rock trio setting forges a compelling imprint with drummer Dylan Ryan's debut solo effort. And it's one of those match made in heaven type of scenarios, where the respective musicians' styles, synergy, and use of space as a supplementary instrument coalesce into a program that bears ...
