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Tommy Flanagan / Jaki Byard: The Magic Of 2
by Dan Bilawsky
San Francisco's famed Keystone Korner shuttered its doors in 1983, but it's getting more press today than plenty of clubs that are still serving up jazz. In the past two years alone, a previously unreleased live recording of trumpeter Freddie Hubbard--Pinnacle (Resonance, 2011)--launched Resonance Records' Keystone Korner Live Discoveries series, photographer Kathy Sloane released Keystone Korner: ...
Art Blakey and the Jazz Messengers: Moanin'
by Mike Oppenheim
Throughout its history, jazz has constantly evolved, developing from and reacting against its earlier incarnations. The mid-1940s saw bebop reinvent jazz as an artist's genre, distinct from the swing style that was the popular music throughout the 1930s and '40s. Bebop was music for listening, not dancing, and the emphasis became virtuosic improvised solos instead of ...
John Beasley: Everyone Loves John
by Scott Mitchell
Keyboardist John Beasley (aka “The Bease" to friends and family) is a musician's musician and one of the busiest professionals in the game. His biography and list of credits are so broad and deep that they could fill an NFL playbook.If NASA or MIT were to invent a device that could measure creative and ...
Tommy Flanagan / Jaki Byard: The Magic of 2
by C. Michael Bailey
The story of this previously unreleased performance by pianists Tommy Flanagan and Jaki Byard at San Francisco's famous Keystone Korner begins with its unusual distributing label, Resonance Records. The original brainchild of studio owner George Kalbin, the label exists as part of the larger endeavor, the non-profit Rising Jazz Stars Foundation, dedicated to the discovery and ...
Death, Rebirth & New Revolution
by Ian Patterson
The death knell has often been sounded for jazz and many would argue that the last revolution in jazz took place as the '60s handed the baton to the '70s, with the electronic-influenced jazz typified by trumpeter Miles Davis' ground breaking albums In a Silent Way (Columbia, 1969) and Bitches Brew (Columbia, 1970). Many believe that ...
John Daversa: Bursting Out of LA
by R.J. DeLuke
Seen in the hallways at California State University in Northridge, a neighborhood of Los Angeles, where he teaches big band arranging, jazz history and other music courses, John Daversa might be seen with his goatee, and dense, dark and curly hair, parted in the middle, and correctly sense he might be involved in one of the ...
David Weiss & Point Of Departure: Venture Inward
by Mark Corroto
If music can be described as either masculine or feminine, then recordings by trumpeter David Weiss and his Point of Departure quintet are simply testosteronic. Built upon the legacy of trumpeter Miles Davis' second great quintet and saxophonist Billy Harper's Black Saint inheritance, Weiss presents dexterous arrangements of muscular, second wave hard bop music.This ...
Please Help Julian Priester
Julian Priester, the well-known trombonist who has, in a career now well into its sixth decade, played with everyone from Duke Ellington, Max Roach, Dinah Washington and Booker Little to Herbie Hancock, Sun Ra, Freddie Hubbard, Eric Dolphy and John Coltrane —not to mention a small but superb discography as a leader that includes Love, Love ...
Beata Pater: Red
by C. Michael Bailey
Polish vocalist/composer/violinist Beata Pater, as of late in San Francisco, releases Red, the third recording in her “colors" series following Black (B&B, 2006) and Blue (B&B, 2011). She specializes in the no-lyrics singing that is related to, but not exactly the same as scat singing. Much of this is present on Red where, an expressive and ...
Take Five With Sofija Knezevic
by AAJ Staff
Meet Sofija Knezevic:“Recognized as one of jazz's preeminent vocalists, young Sofija Knezevic (only 22) is one of the most significant singers in jazz today. While her singing is steeped in tradition, her improvisational virtuosity and creativity are breathtaking."--CNNInstrument(s):Voice, piano.Teachers and/or influences?Greatly influenced by Sarah Vaughan, Ella ...
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