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Al Hood and the H2 Sextet: Jazz Muses
by Nicholas F. Mondello
There's something fascinating about the word “inspire." We know from Latin that the word derives from inspirare, meaning “to breathe" or “blow into." It is the perfect theme as presented for trumpeter Al Hood and the H2 Sextet's terrific album, Jazz Muses. Not only is Hood inspired by his Jazz Muses, but his blowing here takes ...
Dennis Coffey: Live at Baker's
by Doug Collette
The intimations of springtime on guitarist Dennis Coffey's Live at Baker's place it more closely in line with the balmy tone of Hot Coffey in the D: Burnin' At Morey Baker's Showplace Lounge (Resonance Records, 2016) than the insistent rhythm workout of One Night at Morey's: 1968 (Omnivore, 2018). Nevertheless, this three concert release, like its ...
Etienne Charles, Newk & More
by Marc Cohn
Etienne Charles plays Baton Rouge and, to mark the occasion, we track several selections from his forthcoming release, Carnival: The Sound of a People, Vol. 1. We also continue with our Sonny Rollins chronological celebration with tracks from his collaboration with the Modern Jazz Quartet. Pois não! There's more--classics & 21st century music. Enjoy the show! ...
Tom Kennedy: In A New York Minute
by Jim Worsley
Riding high on the low end since arriving in New York City in 1984, premier jazz and fusion bassist Tom Kennedy has shared his groove and innate musicality all over the world. He has shared the stage and recording studio with a long list of varied and talented artists. Names like Michael Brecker, Steve Gadd, Lee ...
Various Artists: MPS: 50 Years
by Chris M. Slawecki
In 2018, MPS--Musik Produktion Schwarzwald--Records, Germany's first jazz label, celebrated its fiftieth anniversary. Pianist Oscar Peterson recorded the first release for MPS after his contract with Verve expired. Its catalog expanded to feature George Duke, Red Garland, Wolfgang Dauner, Horst Jankowski, George Shearing, Monty Alexander and many other pianists. Violin became the label's second most featured ...
One Day in Brazil, 50 Years in Germany
by Chris M. Slawecki
Tony Adamo Was Out Jazz Zone Mad Ropeadope 2018 Some African cultures preserved their history not by the written but by the spoken word, kept by oral cultural historians known as griots. On Was Out Jazz Zone Mad, vocalist Tony Adamo aspires to serve in this same role, ...
Ron Carter: Still Searching for the Right Notes
by Rob Garratt
"People from newspapers and magazines always ask me two things," Ron Carter tells a reverent crowd from a stage in suburban Hong Kong. “What was it like playing with Miles Davis? And why am I still doing this?" He answers the latter enquiry by pointing left and right simultaneously at his two diligent sidemen, pianist Donald ...
3x3: Piano Trios, vol. III
by Geno Thackara
More evidence that three is truly a magic number, as explorations in this format remain as expansive and inventive as ever... Fred Hersch Trio '97 @ the Village Vanguard Palmetto Records 2018 Fine artists can aspire to appear in the Louvre someday. Comics might hope for a Las Vegas ...
Erik Palmberg: Swiss Time Was Running Out
by Jim Worsley
2018 has been a year of many outstanding and surprising new records. One worth special notice is First Lines by Swedish trumpeter Erik Palmberg and his quartet. Featuring mostly original compositions, the music is fresh and crisp yet steeped in jazz tradition. The 37-year-old instrumentalist spoke about his new album and musical background with All About ...
Gary Urwin: Inside the Mind of an Arranger
by Rob Wood
The arranger of music scores is as important as a crankshaft in an engine. Yet many are destined to live in the shadows. Ralph Carmichael was subsumed by the luster of Stan Kenton. Arranger Paul Riser, who wrote the opening bars to “Dancing in the Street," is a virtual unknown. And then there is ...
