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Bill Cunliffe: Always Doing It The Right Way
by Jim Worsley
Most notably a jazz pianist, it comes as more than a surprise that Bill Cunliffe was not in the same orbit as jazz until he was in college. With the sheer volume of top shelf jazz he has written and recorded since, he would seem to have made up for any lost time. That time, those ...
Franco Ambrosetti: Busy Businessman, Exquisite Artist
by R.J. DeLuke
Franco Ambrosetti, a horn player from Switzerland, has a unique perspective on music and art. Because his vantage point is different than many musicians, having held the position as CEO of a significant company in Europe. He plays trumpet and flugelhorn with a rich tone and an approach that has matured over time, shifting from a ...
Ghosts In The Machine, Part 3: Jazz Musicians And Popular Music
by Kurt Ellenberger
Part 1 | Part 2 | Part 3 | Part 4 | Part 5 Part 3: The GhostsIn a recent essay in Commentary, Terry Teachout, arts and culture critic for the Wall Street Journal, makes an argument for the date on which the jazz era officially ended and the rock/pop era began--May 9, ...
Dave Liebman: Placing Free Jazz and the Avant Garde in Musical and Historical Perspective
by Victor L. Schermer
Like free jazz, this interview arose spontaneously from an informal “how are you doin'" telephone conversation between saxophonist Dave Liebman and All About Jazz contributor Vic Schermer. Schermer phoned Liebman to compliment him on his new e-book The Art of Skill: Establishing the Mindset for Unleashing the Music Inside You published by Michael Lake, and how ...
Santi Debriano: Flash of the Spirit
by Paul Rauch
Bassist/composer Santi Debriano has been prominently on the scene since the late seventies, when he worked for several years with saxophonist Archie Shepp. Born in Panama, and raised in Brooklyn from a very young age, his life was integrated with the many crosscurrents of jazz music in the Americas. He worked prominently with Sam Rivers in ...
Clifton Anderson: Knowing the Road
by Barbara Ina Frenz
New York trombonist Clifton Anderson has mastered his instrument from the 1970s on in jazz programs of his home town outside the conservatory (which he also attended), that were initiated by leading spirits of the music such as Barry Harris, Sam Rivers, and Reggie Workman; these informal, professional jazz circles gave him information, insights and inspiration ...
The Complete Hank Mobley Blue Note Sessions 1963-70
By Hank Mobley
Label: Mosaic Records
Released: 2020
The Complete Recordings
By Tina Brooks
Label: Phono
Released: 2020
Track listing: CD1: Nutville; The Way You Look Tonight; Star Eyes; Minor Move; Everything Happens To Me; Good Old Soul; Up Tight’s Creek; Theme For Doris; Miss Hazel; True Blue; Nothing Ever Changes My Love For You. CD2: Back To The Tracks; Street Singer; The Blues And I; For Heaven’s Sake; The Ruby And The Pearl; Talkin’ About; One For Myrtle; Dhyana; David The King; Stranger In Paradise; The Waiting Game.
Billy Childs: L.A. Contentment
by R.J. DeLuke
Billy Childs says taking formal piano lessons as a young child “didn't register" at the time. He didn't recoil from the instrument by any means, but it wasn't yet exciting. But he had a neighbor who also played. Childs looked up to him. It was that neighbor who showed him stuff--taught him to play “ Cantaloupe ...
Yusef Lateef: An Alternative Top Ten Albums Blowing Cultural Nationalism Out Of The Water
by Chris May
A pioneer of global and modal jazz, the multi-instrumentalist and composer Yusef Lateef is only beginning to have his importance in the history of the music properly acknowledged. After languishing off-catalogue for decades, much of his output is being made available once more. A treasure trove of great jazz is out there waiting to be rediscovered. ...
